Nawazuddin Siddiqui Quotes
I decided to be a part of 'Bajrangi'... because I felt that it tells a very relevant story.
Quotes to Explore
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I've always been very visceral in that I feel things very deeply.
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We want a story that starts out with an earthquake and works its way up to a climax.
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I'm a very private person, so obviously I don't enjoy talking about more personal matters.
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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I feel very, very blessed.
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I have a very small public.
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What I'm trying to do is to write a story. If you take something from it, that's wonderful; if you don't, that's wonderful as well.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Desire is the very essence of man.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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What I observed about my fellow actors was that most gave up very easily.
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I'm a very competitive person.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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I like straightforward names for my characters. When I get too symbolic with names or places, I start feeling like the characters and the story are less read, and I lose interest.
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With each one, I love working on the story and the characters. The stunts, each time, we keep pushing ourselves harder and harder. And they are stunts, so there's always a danger in doing them, but fortunately, I have not had a problem. I have not missed a day of work, ever, in my career. I'm always there early. And I train very hard, and we prepare very carefully for each one.
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Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.
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I have been obscenely lucky. I've got most of the things I've asked for and done well at the things I've wanted to succeed at.
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I decided to be a part of 'Bajrangi'... because I felt that it tells a very relevant story.
