Nawazuddin Siddiqui Quotes
I decided to be a part of 'Bajrangi'... because I felt that it tells a very relevant story.
Quotes to Explore
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I've always been very visceral in that I feel things very deeply.
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We want a story that starts out with an earthquake and works its way up to a climax.
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I'm a very private person, so obviously I don't enjoy talking about more personal matters.
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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I have a very small public.
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What I'm trying to do is to write a story. If you take something from it, that's wonderful; if you don't, that's wonderful as well.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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Sometimes the kids come up with better endings than the real story.
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A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Desire is the very essence of man.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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What I observed about my fellow actors was that most gave up very easily.
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I'm a very competitive person.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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I definitely have my opinions that I'm very vocal about and I'm not afraid to put them out there.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
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The Islamic conquest of India is probably the bloodiest story in history. It is a discouraging tale, for its evident moral is that civilization is a precious good, whose delicate complex of order and freedom, culture and peace, can at any moment be overthrown by barbarians invading from without or multiplying within.
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I need a little language such as lovers use, words of one syllable such as children speak when they come into the room and find their mother sewing and pick up some scrap of bright wool, a feather, or a shred of chintz. I need a howl; a cry. When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words. Nothing neat. Nothing that comes down with all its feet on the floor. None of those resonances and lovely echoes that break and chime from nerve to nerve in our breasts making wild music, false phrases. I have done with phrases.
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My parents would always say, 'It doesnt' matter if it's a guy picking up the garbage or the President of the United States, treat everybody as you would want to be treated.
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You are not a drop in a ocean You are entire ocean in a drop
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I decided to be a part of 'Bajrangi'... because I felt that it tells a very relevant story.
