Matt Besser Quotes
Neil Mahoney was definitely the visionary in taking 'Freak Dance' from stage to screen. He made it more cinematic. He brought the choreography, all the ways to shoot that. I was more the director of actors. I was in front of the camera directing, and he was behind the camera directing.
Quotes to Explore
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Whether I do an original film, a dance, or a remake of my dad's hit songs, I have always been compared to him.
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My first vocation was dance.
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Dance and I are synonymous, and nobody can take away dance from my life. Also, I cannot look at dance in an inert way; it's my passion, and I get keen on being part of any show or film that has dance!
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I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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Let your life lightly dance on the edges of Time like dew on the tip of a leaf.
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I think it's a lot harder for the pros to have a long career in ice dance and in pairs. It seems the singles have a little bit of a longer career.
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When you're listening to the radio, you're hearing dance beats, all the bells and whistles, and 'Say Something' makes you quiet and forces you to listen.
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When I was growing up as a little girl and as a teenager, I loved designing and making dogs' clothes and wanting to be a fashion designer. I took art and ceramics. I loved dance.
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People assume that because I'm a great athlete, I can dance. But no. My rhythm is off a little bit.
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I have a strong dance background. I danced from age five until 18, and that helps a lot. Doing a fight routine is like doing a dance routine.
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I just want to continue to pursue dancing. I want to focus on making it out there and showing everybody my heart and soul through dance... and do it until I can't walk anymore.
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I've never seen a single episode of 'So You Think You Can Dance.'
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The moment in between what you once were, and who you are now becoming, is where the dance of life really takes place.
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I don't want to be Mr. Romantic Leading Man. I don't want to be the Dance Dude. I don't want to be the Action Guy. If I had to do any one of those all my life, it'd drive me crazy.
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I love to dance, and sing - in the shower, not in public. I'm too old to go raving, but my fondest memories are of that kind of thing - dancing, with lots of people, outside if possible.
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I don't think I make dance music. It's not even 4/4. And it's slow.
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Doing the sword fighting is like picking up a dance routine... I think dancing really helps with the picking up of it.
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I used to say I didn't want to teach. I was still excited about dancing. It's hard to do both. It's as exhausting teaching as it is to dance.
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Place and displacement have always been central for me. A type of insecurity goes with that: you are always following the cues, like learning the dance steps when the dance is already under way.
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The more I love the character, the harder it is to get it wrong. I have to get to a point that I can speak for them.
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A writer is an eternal outsider, his nose pressed against whatever window on the other side of which he sees his material.
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Anita had the mechanics of marriage down pat, even to the subtlest conventions. If her approach was disturbingly rational, systematic, she was thorough enough to turn out a credible counterfeit of warmth.
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Neil Mahoney was definitely the visionary in taking 'Freak Dance' from stage to screen. He made it more cinematic. He brought the choreography, all the ways to shoot that. I was more the director of actors. I was in front of the camera directing, and he was behind the camera directing.
