James Salter Quotes
Quotes to Explore
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I love PBS! I grew up on it. If I had to say which channels were good, I'd say, you got your PBS, your History Channel, your Discovery.
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Excellence is a process that should occupy all our days.
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Our main source of economy is agriculture. What we should do is to use the oil money that we have today to re-fuel agriculture. And so agriculture will be the backbone of the economy of South Sudan.
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As an actor, what I can do is tell the truth. At least, I hope I can tell the truth - a dramatic truth, but still an honest portrayal.
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To prosper and advance, the American business sector is going to need a financial system oriented toward business, not 'home ownership.'
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Wear comfortable clothes when you fly; my preference is T-shirt and jeans.
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'Caught' is a novel of forgiveness, and the past and the present - who should be and who shouldn't be forgiven. None of my books are ever just about thrills, or it won't work.
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I like what Oliver Lakes does on the saxophone. The saxophone comes pretty close to the sound of the human voice and when Oliver plays with other sax players, it's like a dialogue.
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I like the way the stories of my relationships sound to music more than the way they look in print, in gossip columns or in me talking about them in interviews. I think it's a better way of telling the stories.
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My eyelashes are divas, so they will like a mascara brand one week or for a month, and then they'll just stop working for it. I go back and forth between Maybelline and Cover Girl, and then I carry around a primer, too.
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The State, in choosing men to serve it, takes no notice of their opinions. If they be willing faithfully to serve it, that satisfies.
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Getting toxic lead out of gasoline, the oil industry shouted, would cost a dollar a gallon. It turned out to cost just a penny a gallon to protect hundreds of thousands of kids from lead-induced brain damage.
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At the age of 18, I made up my mind to never have another bad day in my life. I dove into a endless sea of gratitude from which I've never emerged.
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Whereupon, at the tender age of thirteen, I set upon the path of playing nothing but hookers.
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I remember watching Audrey Hepburn dancing in movies, and I was inspired by how graceful she looked, though I understand it was no easy task.
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I was reading this book called 'Close Encounters of the Fourth Kind.' It's really, really good if you want to believe in that stuff.
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The idea of us telling a story where a character doesn't get everything he wants at the end is one of the relatable things - dealing with failures and missteps in life - and it's something that's so rarely dealt with in movies, especially kids' movies.
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Every blunder behind us is giving a cheer for us, and only for those who were willing to fail are the dangers and splendors of life.
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A page of my journal is like a cake of portable soup. A little may be diffused into a considerable portion.
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I have turned away from the thought of writing fiction in the past through what I suppose is, actually, fear. The direct, raw invitation for the reader to come in and explore my imagination is fairly scary for me so I have busied myself with so much else.
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Why produce even females? Why should there be future generations? What is their purpose? When aging and death are eliminated, why continue to reproduce? Why should we care what happens when we're dead? Why should we care that there is no younger generation to succeed us?
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Fear of women love more than hate the man.
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I'm the kid of baby boomers, and the baby boomers listened to rock-and-roll, not thinking that Sinatra and Bennett were cool. I discovered this music on my own, which is why I really adopted it as my own music.
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I don't fear death. I'm not obsessed with it the way everybody else seems to be.
