Penelope Cruz Quotes
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I am a big fan of photography, more of being behind the camera - so when I get the opportunity to work with such great photographers, I always try and learn from their technique.
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When I was 16 or 17, when I started, I never even considered not doing a project. I just wanted to work.
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I'm strong and opinionated. Those qualities brought me a lot of problems since I was a little girl in school, saying 'I don't agree' and fighting with the children. It's part of my curiosity for life.
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There was a point where I was making four movies a year. I was always on a set. I had no stories to tell. I was feeling empty. My life was just luggage and hotels and from set to set, from character to character. And one day, I said, 'And where is mine?' You know? And the moment I started to feel that fear, I stopped and I slowed down.
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I came to Los Angeles for the first time in 1994. I spoke no English. I only knew how to say two sentences: 'How are you?' and 'I want to work with Johnny Depp.'
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I was very superstitious when I was a teenager, and I had to fight against that because it made me feel anxious.
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You can always keep learning with acting, because the school is life and yourself and your friends and your relationships. I'm fascinated by it! It's infinito!
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Sometimes you will do a close-up for a scene in the morning where you are totally distraught, then shoot the rest of that scene seven hours later. How do you hang on to that feeling all day without burning up, without going so far that you have nothing left to give when the cameras roll again?
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One thing that I am proud of: I am really capable of laughing at myself.
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I had a very curly perm in the '80s, thanks to the 'Way You Make Me Feel' Michael Jackson video. I liked the girl in it.
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I really like the Caribbean. Anyplace in the Caribbean. I get there, and I feel like a monkey - the perfect state.
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Especially when you are advertising a product, I talk to the photographer and we create a character - it always gives you more freedom because it makes it less about yourself.
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I hope that I will be able to work all of my life - even when I am older. It's easier to do that in Europe than in America, because in America it is difficult for older actresses to find work.
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There's so much more I want to do. I refuse to get to 50 and wait at home for the phone to ring.
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I only drive in movies. I know that's very weird to hear for an American. I have a weird relationship with it. I know how to drive, but I never went to take the test.
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My first fear was about the devil, when I was around fire, something I saw in a movie. I think it's about pain, in whichever form it comes.
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In my house every Sunday, everybody was cleaning the house. There was always music, and everybody was dancing, sometimes naked, around the house. Not hippie, but very free.
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I breastfed my son for 13 months, and I plan to do at least the same with my daughter. That's an amazing thing for babies, but it's also really good for the mother because it regulates your body again after pregnancy.
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You cannot live your life looking at yourself from someone else's point of view.
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When I was 16, I got 'Jamon, Jamon.' Of course, I had to lie about my age. And I had to lie to my parents about the content of the script.
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I want my son - and my kids, if I have more - to grow up in a way that is as anonymous as possible. The fact that his father and I have chosen to do the work that we do doesn't give anybody the right to invade our privacy.
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My ambition is to be happy.
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For 'Vicky Cristina Barcelona,' for example, Woody Allen is one of the greatest American directors, and we really had a very good working relationship. We understand each other really well. He gave me one of the best opportunities somebody has ever given me in my career.
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When I read a script, I try not to judge the characters. I try to have an open mind and really see what it makes me feel.