Brendan Fraser Quotes
I've been grateful enough, smart enough to take the work with Ian McKellen in Gods And Monsters.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I am just like Dr. Armaan - fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to 'Dil Mill Gayye.'
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I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
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I'm not a good rapper. For whatever reason, my brain does not work that way. I just do the beginning, like, 'Yeah, yeah! Ha ha! Woo! What up? Come on! Get at me!' I'm Captain Hook.
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Deficiency motivation doesn't work. It will lead to a life-long pursuit of try to fix me. Learn to appreciate what you have and where and who you are.
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I approach love differently now that I know it's hard for it to work out.
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Sexual harassment at work... is it a problem for the self-employed?
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The trick is in what one emphasizes. We either make ourselves miserable, or we make ourselves happy. The amount of work is the same.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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There are programs that don't work.
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If I wasn't dyslexic, I probably wouldn't have won the Games. If I had been a better reader, then that would have come easily, sports would have come easily... and I never would have realized that the way you get ahead in life is hard work.
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I spend a lot of time talking to women interested in office about how they can make it work.
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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Books are the heart of any home, and I spend hours going through books for design inspiration.
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I saw a '60 Minutes' piece on Google as a place to work. It was such a foreign concept from what I understood as a regular job. There's free food, sleeping pods, Ping-Pong. I'm the kind of guy who likes to get involved in everything - I'd be all over the Ping-Pong.
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I don't think balance is something you get from someone else; it's something women have to find from within. For me, finding balance is still a work in progress.
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People have the problem of denial. This is one of the things I learned in Lebanon. Everybody who left Beirut when the war started, including my parents, said, 'Oh, its temporary.' It lasted 17 years! People tend to underestimate the gravity of these situations. That's how they work.
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I did what we call dry for wet effects, some of the miniatures work and two animation sequences.
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I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.
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I'm a huge fan of the films of the '70s and even into the '80s, Sidney Lumet, all those films that used what was going on in people's lives as drama. And not only are you entertained, but hopefully have a greater understanding of your world coming out of it.
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Money, celebrity and power can be very intoxicating.
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Social cohesion was built into language long before Facebook and LinkedIn and Twitter - we're tribal by nature. Tribes today aren't the same as tribes thousand of years ago: It isn't just religious tribes or ethnic tribes now: It's sports fans, it's communities, it's geography.
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I've been grateful enough, smart enough to take the work with Ian McKellen in Gods And Monsters.
