James Wan Quotes
I'm very heavily involved in the editorial post-production process, and the camera - it's just such a big part of my storytelling language. I like creating the tension; I like creating the emotion through the movement of my camera, or the lack of movement through my camera, depending on what fits the scene best.
Quotes to Explore
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Can you imagine being Leonardo Da Vinci in the 1400s trying to describe his ideas for machines that would allow humans to fly to the average person of his time? This is hundreds of years before the invention of electricity, the internal combustion engine, and many other things we take for granted today.
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In 1979, when I was 39, I had such a bad year, I thought it was all over. Thankfully it wasn't.
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We welcome Chinese investment in the United States with open arms.
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One thing about playing the real jazz is that you can't count it.
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I sing to Jesus for Jesus now. This gives me pure joy... worship!
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'Girl, Interrupted' is one of my favorite movies.
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People are realizing that color has no bearing on what's known as brotherhood.
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Pictures are for entertainment, messages should be delivered by Western Union.
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It was a terrible day for baseball, it was a worse day for Congress.
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For years I've been hearing 20-somethings say they don't expect Social Security to be around when they hit 65. Eventually, I came to realize that they really mean that they just don't expect to be 65. Or 40. Neither did I, when I was 22.
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The truth is I love musical theater and always have.
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It's not my job to get really personal in how I express myself. I've met fans, and they've been lovely. But letting my personal life out there, I don't think is a good idea for me. I think the more you do that, the more you can be accused of encouraging that kind of attention.
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If I could give my teenaged self any advice, it would be 'Calm down!'
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I'd love to set up shop somewhere and develop projects - film, TV, digital would be a fun thing to do.
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Being here allows me to make the case that not all aging, narcissistic movie actors whose children could be mistaken for their grandchildren necessarily act with the same motivation.
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Experience has shown me that standing by oneself reading from one's book isn't especially compelling - unless you're David Sedaris.
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We often have to put up with most from those on whom we most depend.
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I do think you need to understand a character's motivation and perspective.
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I think it's important to travel around in order to get a notion of what's going on, to find out what people are think about. I enjoy talking on campuses most because people are more informed and discussion is generally livelier.
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We don't need to allow our vision of justice to be constrained only by what seems realistic from the perspective of today, and especially not by what powerful & privileged groups deem acceptable or pragmatic.
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I think it's interesting being American, the expectations for an American guy, and the image that has to be projected. 'Oh, I can't wear pink,' that kind of stuff. There's none of that in Europe.
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Most of my films have been very character driven.
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Ask yourself whether you are happy', observed the philosopher John Stuart Mill, 'and you cease to be so.' At best, it would appear, happiness can only be glimpsed out of the corner of an eye, not stared at directly.
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I'm very heavily involved in the editorial post-production process, and the camera - it's just such a big part of my storytelling language. I like creating the tension; I like creating the emotion through the movement of my camera, or the lack of movement through my camera, depending on what fits the scene best.
