Brendon Burchard Quotes
Inexperienced personal development teachers always tell you to visualize, but often in a tragically limited way. They tell you to visualize nothing but victory. But high-achievers know that it's even more important to visualize themselves at the point where they want to quit, and then see themselves working through the struggle.
Quotes to Explore
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My grandfather milked several cows twice a day and supplied the neighbours with dairy products. He liked to go visiting around the county on Saturdays, and he also enjoyed the neighbours when they came by once a week with their empty milk jars. He walked them out to their cars and hung over the driver's side window until they drove off.
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'One Hundred Years of Solitude' is a masterpiece because it is an episodic novel that has a rigorous form - an unprecedented combination. From the very beginning we know the town of Macondo will endure only a century, so there is a limit to the length of the narrative.
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But as a young kid, I never did, really have an ambition to be a farmer. I never thought, gee, I would like to farm, and I want to raise these crops. I didn't quite know what I wanted to do.
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When the British became Christian, Christianity in no way altered their political organisation.
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I'm happy pretty well anywhere on this big, beautiful planet.
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You can do anything as long as you have the passion, the drive, the focus, and the support.
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One should always play fairly when one has the winning cards.
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I do love traveling, so I've been able to travel a lot.
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The greatest thing about being in a band, and the strength of having companionship and collaboration, is also the thing that makes a band break up because then you begin to feel confined. Like, who am I as an individual, as a writer, as a performer?
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You get so weak from eating pears that you fall down, and then they come and take you away on a stretcher.
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I went through the extremes of amazing notoriety and also the dreaded things that you never thought you'd have to live through. Not everything works the way you want it to, but if I sit back and think, 'Am I happy about this?' Yeah. I wouldn't have done anything any better.
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My experience is that's rare - that you have a script that is... what they call 'film-ready.'
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I was born a proud daughter of Pakistan, though like all Swatis I thought of myself first as a Swati and Pashtun, before Pakistani.
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A resilient culture has a certain amount of resistance embedded in it. Not so much to capsize it, but enough so that it doesn't atrophy.
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I simply wanted to get through college as quickly as humanly possible. I had no interest in extracurricular activities or anything that required me to be social. I was allergic to people.
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After I made my hit in 'Salome,' Universal sent me to New York so I could learn to be a proper movie star.
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Stopping to think is fine for characters, but not for their creators. They have to work.
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It's sort of like, our bodies are designed to keep moving, and when we don't move it, we're not going to feel great.
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I still have great faith in what is good and right in all of us.
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A man is himself important precisely in proportion that all things seem important to him.
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If people ask me, 'For you, what is your most important film?' I have a feeling that they all sort of want me to answer with one of the Bergman films. But I cannot choose.
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The thing about Moby Dick is that, at heart, it's a very simple plot - there's only one white whale in the ocean. When you're a boy growing up in a hostile home, you imagine it's unique: it's happening only to you.
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I swear a lot; I always have. So does my husband. Our son, surprisingly, does not swear much at all.
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Inexperienced personal development teachers always tell you to visualize, but often in a tragically limited way. They tell you to visualize nothing but victory. But high-achievers know that it's even more important to visualize themselves at the point where they want to quit, and then see themselves working through the struggle.
