Neville Marriner Quotes
Quotes to Explore
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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I find great beauty in songs with a creative interpretation, but most people generally don't get that, and go for the simple songs, but I prefer something a bit more complicated, which is more meaningful to the creator.
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Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.
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The Haitian people are gentle and lovable except for their enormous and unconscious cruelty.
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With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
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I think what people get confused about is that they want to label me as this EDM girl, but a lot of this stuff is genre-less.
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It is quite common to meet people that live a few kilometers away from Mexico and that have never been there. We need to revive on many levels an illustrious desire to get to know the world, to learn another language, to understand and create empathy with people that live a few kilometers away from us. It's never late to do this.
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Throughout his long career, Washington earned the adulation not merely of ordinary people but of the other luminaries whom we now hail as 'founding fathers.'
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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Most people think companies are basically evil. They get a bad rap. And I think that's somewhat correct.
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London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
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I've done loads of things people have never seen - dramas on BBC4 and plays upstairs at the Royal Court and the Bush - and because I didn't go to drama school, they gave me an education.
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I was amazed at the support that I got when I was in there. And when I came out people knew that I was back on track. I was interested in working again.
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I told as much of my life as I could to encourage people: to encourage others to get to where they should be, where they want to be.
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Our young people look up to us. Let us not let them down. Our young people need us. Saving them will make heroes of us all.
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When I'm in the U.K. – and I'm here more than people would think – I tend to keep a very low profile.
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One of the biggest mistakes people make when they cook for other people is to think that it has to be fancy and elaborate. This results in enormous expense and nine days of labor, plus you end up trying to assemble a croquembouche in front of your guests and everyone's experiencing flop sweat.
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History is the version of past events that people have decided to agree upon.
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I never get used to going out and seeing 20, 30,000 people that are there to see us play. It's kind of surreal.
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There are the further difficulties of building a population out of a diversity of races, each at a different stage of cultural evolution, some in need of restraint, many in need of protection; everywhere a bewildering Babel of tongues.
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Most people are middle class. Most people do wish their lives were better than they are. And I think by making my main characters ordinary, average guys, it helps readers identify with their problems. It also helps ground the supernatural events that follow in a recognizable reality and perhaps gives some of my wilder scenarios a little verisimilitude.
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It's so weird to turn on a switch and be the role model for all women, for all African-Americans. That doesn't happen that easily. It just doesn't. And so I don't act up in public and I don't do anything weird - because my sisters are watching me, not because the world is watching me.
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I think I've always had a certain amount of skepticism of this whole 'shut up and smile' theory. I haven't ever swallowed that pill so easily, although I tried.
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We don't want other people poking into our artistic pie.
