Jamila Woods Quotes
Quotes to Explore
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Over the years I have learned that what is important in a dress is the woman who is wearing it.
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It is by a wise economy of nature that those who suffer without change, and whom no one can help, become uninteresting. Yet so it may happen that those who need sympathy the most often attract it the least.
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For 'Regulate,' I was at home, and I came up with it. I was listening to Michael McDonald's 'I Keep Forgettin'.' It was a record that I always loved, from being a kid and my parents playing it when they had their company of friends over. It was a record that just stuck in my head, and it just felt good.
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I took the position from day one that it was the right decree, that the modifications I made to the decree were proper, that the correct outcome had been obtained, and that in due time all of that would become apparent. And it has become apparent.
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It's tough to be 68 and dating. I've given it up now.
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I wanted to see how flavors, spices, and grains traveled back and forth along the Silk Road and were interpreted by a multitude of cultures' palates.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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There's nothing that's in an actor's control. I've learned at this point you do things and you let them go. There's no way to control the outcome. The only thing I have any sort of reign over is my own experience.
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Any job very well done that has been carried out by a person who is fully dedicated is always a source of inspiration.
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I saw Mercury Prize-winners Alt-J for the first time recently, touring their debut album 'An Awesome Wave,' and I'm still riding the high: they're the most musically dynamic and exciting band to have poured tune into my lug holes live since Bellowhead.
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I can't exactly say why there's not much protest music to speak off. And I know there are acts out there still putting a message in their music.
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I just go in the studio and write on the spot and see what comes out.
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There is no doubt in the sanctity of Mecca, but a donkey won't become a Hajj pilgrim by just going through the motions.
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I spend a lot of time in L.A., and when it rains there you get the entire rainfall for the year in two days, raindrops the size of mangoes. And in Barcelona, the Mediterranean storms come up from the sea, thunder and lightning; it's like the end of the world.
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Smoke machines are the best!
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What's going on in the inside shows on the outside.
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I have seen the future, and it is much like the present, only longer.
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Over the past months and years, divisions have opened up in Malaysian society. Now it is time for all of us, in government and beyond, to put the bitterness behind us.
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Those powers that control the tent are not threatened at all by any activity that you engage in, in the shadows, that's not moving toward the tent. And I am rather convinced that we have a generation that is so preoccupied with life in the shadows, they never even focus on getting to the sunlight where you open up the big tent.
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I equate inspiration with desire – the desire that moves us to be artists in the first place. To attempt to make a painting without this motivation is a waste of time.
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I've done a number of projects where people go, 'This is your breakthrough role,' so I've stopped thinking that.
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I never wanted to be a scientist.
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With lyrics, being a poet gave me a different approach than other people.
