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What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.
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'The Piano' ended up on television. Everything ends up there anyway.
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I love it when actors come to you with a problem and you have to listen. You'd like them to just get on with it, but it often means that there's a problem with the script.
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I think that three-act fundamentalism in film culture is a problem sometimes, because it's almost too obvious, or it's too expected. And it's not the only way to fill two hours, or to phrase things, or to order thoughts, or order ideas.
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There are some things that are real, that you can see, that you can observe, like the moon, and grass and things. But for ideas to become real, they have to be played on your senses.
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Actual violence has no attraction for me at all.
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I can't imagine people telling me what to do - I just can't imagine it.