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On a very deeply personal level, I was anxious about it.
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A lot has happened in the world and as a country we seem to have a short term memory loss.
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Tribeca has always celebrated the most exciting new forms of storytelling, from video games to virtual reality.
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We're committed to giving the independent artists we support the best stage to share their mind-blowing work with audiences.
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The festival was basically created eight months after September 11 and it was to give our neighborhood something to look forward to and to help the renewal, and to do that you need to laugh.
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Deciding what gets my time is very simple: I ask, What am I passionate about?
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Sept. 11 was the most photographed event in the world. The media has shown it over and over again. Over time, artists have digested it. I think it's very important to see filmmakers' point of view. Why not now?
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We have diverse cultures and diverse audiences coming to see films. We are working hard not to repeat ourselves and to have the festival be something that the audiences and the industry feel belongs to them.
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In another life, I could be a personal shopper.
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Our record-number of film submissions this year reflects the growing strength of the Festival. This year's program includes a wide range of talent and perspective from around the globe.
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We're a festival that was started because of an act of war, so we have always had films and panel discussions that bring up difficult subjects.
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I have a talent for dealing with difficult men.