Bria Skonberg Quotes
I fell in love with playing the trumpet because of what we call 'hot jazz' of the 1920s and 1930s, music that has a higher energy to it.
Quotes to Explore
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A lot of people asked me if it was frustrating not having a clear specific diagnosis, but I didn't mind, I just chose the most optimistic diagnosis.
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If you want to do stuff, you have to be able to handle controversy.
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The only difference between a dead skunk lying in the road and a dead lawyer lying in the road is that there are skid marks around the skunk.
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If the Russian nuclear arsenal was fired at the United States and other targets, and we fired back at them with thousands of nuclear weapons, it would be the end of life on earth.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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Certainly our gay and lesbian brothers and sisters need to be supported in living out their call to holiness.
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A man will turn over half a library to make one book.
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I really appreciate people like Rosie coming out and saying I've inspired them.
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It should simply be an empirical matter whether the climate is changing or not and whether we're responsible. But the various sides of the debate have now become so tribal that it's no longer a matter of changing our views as more information comes in.
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Modesty is my best quality.
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I found one had to do some work every day, even at midnight, because either you're professional or you're not.
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A lot of people may know my face and know that I'm a good player on the football field, but they probably don't really know me as a person.
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The deadpan brilliance of John McCrea has been underrepresented in music since 2004, when Cake served up 'Pressure Chief.'
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I've always used black girls on the runway, because I think they're beautiful. I don't need people to tell me, 'You need to use black girls.' I did for 20 years; it's not a new thing for me.
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In the heat of the Russian summer a sleeping car is the most horrible instrument of martyrdom imaginable.
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They got word that the Japanese planes were coming back, so we sunk her ourselves so the Japanese wouldn't get it. We didn't want the Japanese to get it intact.
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You don't go out and play Beethoven's 'Opus 111' without having rethought about it every time you play.
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We go to movies to be taken away to another place, to be dazzled, to dream, to hopefully be filled with wonder. The design of the world and the look of the film is all in service of trying to create that feeling of wonder in the audience.
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I don't dismiss the music that I was involved with, I don't think it was a joke, I don't think it was funny or a phase, I don't think it was just something I was doing back then, to me it was who I am. It connects all the way through. I don't distance myself from any of it.
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It's weird: making a movie is like life compacted into three months. You have these very intense relationships with people, and you talk to them every day - your editor, the casting people, music people, your actors - then it ends. It's like a circus life.
Dito Montiel -
I have known some quite good people who were unhappy, but never an interested person who was unhappy.
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I fell in love with playing the trumpet because of what we call 'hot jazz' of the 1920s and 1930s, music that has a higher energy to it.
