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Rise like Lions after slumber In unvanquishable number - Shake your chains to earth like dew Which in sleep had fallen on you - Ye are many - they are few.
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Fear not for the future, weep not for the past.
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The quick Dreams, The passion-winged Ministers of thought.
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Nor yet exempt, though ruling them like slaves, From chance, and death, and mutability, The clogs of that which else might oversoar The loftiest star of unascended heaven, Pinnacled dim in the intense inane.
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Rough wind, the moanest loud Grief too sad for song; Wild wind, when sullen cloud Knells all the night long; Sad storm, whose tears are vain, Bare woods, whose branches strain, Deep caves and dreary main, - Wail, for the world's wrong!
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My father Time is weak and gray With waiting for a better day; See how idiot-like he stands, Fumbling with his palsied hands!
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Then black despair, The shadow of a starless night, was thrown Over the world in which I moved alone.
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Thy light alone like mist o'er mountains driven, Or music by the night-wind sent Through strings of some still instrument, Or moonlight on a midnight stream, Gives grace and truth to life's unquiet dream.
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He wakes or sleeps with the enduring dead; Thou canst not soar where he is sitting now - Dust to the dust! but the pure spirit shall flow Back to the burning fountain whence it came, A portion of the Eternal.
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Poetry is a sword of lightning, ever unsheathed, which consumes the scabbard that would contain it.
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… why God made irreconcilable Good and the means of good.
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He lives, he wakes - 'tis Death is dead, not he; Mourn not for Adonais. - Thou young Dawn, Turn all thy dew to splendour, for from thee The spirit thou lamentest is not gone.
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There grew pied wind-flowers and violets, Daisies, those pearl’d Arcturi of the earth, The constellated flower that never sets; Faint oxlips; tender bluebells at whose birth The sod scarce heaved; and that tall flower that wets Its mother’s face with heaven-collected tears, When the low wind, its playmate’s voice, it hears.
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Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh, hear!
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Sun-girt City, thou hast been Ocean's child, and then his queen; Now is come a darker day, And thou soon must be his prey.
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Spirit, Patience, Gentleness, All that can adorn and bless Art thou - let deeds, not words, express Thine exceeding loveliness.
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The desire of the moth for the star, Of the night for the morrow, The devotion to something afar From the sphere of our sorrow.
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An old, mad, blind, despised, and dying king, - Princes, the dregs of their dull race, who flow Through public scorn, - mud from a muddy spring, - Rulers who neither see, nor feel, nor know, But leech-like to their fainting country cling, Till they drop, blind in blood, without a blow.
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When the lamp is shattered The light in the dust lies dead - When the cloud is scattered, The rainbow's glory is shed. When the lute is broken, Sweet tones are remembered not; When the lips have spoken, Loved accents are soon forgot.
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There is no God! This negation must be understood solely to affect a creative Deity. The hypothesis of a pervading Spirit co-eternal with the universe remains unshaken.
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Men of England, wherefore plough For the lords who lay ye low?
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I am gone into the fields To take what this sweet hour yields; - Reflection, you may come to-morrow, Sit by the fireside with Sorrow. - You with the unpaid bill, Despair, - You, tiresome verse-reciter, Care, - I will pay you in the grave, - Death will listen to your stave.
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Peace is in the grave. The grave hides all things beautiful and good. I am a God and cannot find it there, Nor would I seek it; for, though dread revenge, This is defeat, fierce king, not victory.
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The great instrument of moral good is the imagination.