Brian Eno Quotes
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Quotes to Explore
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Music is always there, but if you're asking me my first love, it's film.
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Maybe one day music will just be music, and there won't be these categories; it'll just be different shades of music.
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I shall produce nothing that will offend the proprieties, whether applied to children or grownups. My pictures are turned out with clean hands and, therefore, with a clear conscience which, like virtue, is its own reward.
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To be honest, once you've driven around for about five, 10 laps, you don't notice a difference.
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Younger audiences are into me because I did 'Stuart Little,' and that movie was a very big deal for kids. And in 'Angels in the Outfield,' a generation of kids learned about magic and angels. And then, of course, there are these two blond girls named Mary-Kate and Ashley Olsen, and I played their nanny on their TV show.
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Most of the people who act and sing do so for their own pleasure and that of their friends and family.
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Cinema affects everything, from the way I get dressed to how I build my stages.
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We need leaders who will stand unapologetically in defense of marriage.
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The one way to discover about aliens is to tune your radio telescope and listen to the signals.
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I'm as addicted to 'Power' as I am 'Empire.' I'm just grateful. We get a chance to have two phenomenal shows that we can enjoy. So when 'Empire' is over, 'Power' starts. When 'Power' is over, 'Empire' starts.
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When I went into the Montreal Games, nobody expected much out of me.
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It's interesting because I think class is a heavy, heavy part of 'Moonlight,' and I think, in a certain way, through the sum of all these parts, it's become a commentary on the black experience in America.
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It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
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Without a doubt, I'd love to do Broadway. I actually can't wait to get back to musical theater.
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No one can make me work harder than I do, so I'm generally not interested in who I am competing with.
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I don't feel comfortable making empty music.
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This is my seventh decade... and every once in a while I get a hankering to re-visit these songs again... songs with which I have had a great relationship.
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I'm a passionate person, to a fault at times.
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There are two ways to approach the market. You can guess which direction prices will go in next, or you can figure out what businesses and their securities are really worth.
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I wasn't even prepared to be an actress. I was 17 when I came out of high school, and suddenly became Miss World and then I became an actress.
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I'm from Chicago, I live in Chicago and I wanted very much for the music in Chicago to succeed.
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I never really thought about my music being universal. When I set out to write, it was just a feeling that felt good to me. I never thought about being able to reach everybody.
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I mentioned that one of the tripartite formulas in American worldview involves time: past, present, and future.
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In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
