Walter Murch Quotes
'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.

Quotes to Explore
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Even though I got a late start, first publishing an essay when I was 50 years old, I've since written eight suspense novels.
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Getting old is a fascination thing. The older you get, the older you want to get.
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My go-to jeans are old Levi's I've gotten from boyfriends; they're worn-in and really yummy and perfect.
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Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.
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What a delightful thing is the conversation of specialists! One understands absolutely nothing and it's charming.
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I think your teenage years define your musical roots forever. You're always looking for a theme for your high school years.
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Whenever I go to L.A., the make-up artist or hairdresser will end up having a conversation about how fat they think they are, and I really just can't take it seriously at all.
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We are looking for rebuilding Hungarian defence Industry with India's participation.
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I have a constitutional weakness in which I am very easily distracted by flashing lights. If there is a TV on in the room, I can't have a conversation with you. I won't eat, I won't sleep, I'll just meld with my couch.
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Inject a few raisins of conversation into the tasteless dough of existence.
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I don't listen to my old music of Vanity's unless I have to hear it playing in a mall or something place like that.
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I was eight years old when I knew I wanted to be an actress. I slowly started by getting into commercials, and then I was an extra on a TV show. And then the movies happened.
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When I was five years old, I auditioned for the role of 'Tiny Tim in A Christmas Carol.'
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It brings up happy old days when I was only a farmer and not an agriculturist.
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The Ancient Mariner would not have taken so well if it had been called The Old Sailor.
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When we started looking at the bigger television ecosystem, you see that there's not that many serialized TV shows being made for TV. The economics are lousy: They don't sell into syndication well; they're expensive to produce.
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I actually don't shop very much. I have a tendency to rotate a few pairs of ripped jeans and an old cashmere sweater.
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I don't have my novel outlined, and I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it over again.
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Our works decay and disappear but God gentlest works stay looking down on the ruins we toil to rear.
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Love means attention, which means looking after the things we love. We call this stable management.
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I want to behave more like a boy... I want to be the strong one.
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I had a gypsy upbringing, so I moved around all over the place and can't remember a street I grew up on.
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The travels before and after the tour are what add up to what you're doing. You are really called into service - and it's the service industry man, it's blue collar man, I'm sweating by the second song. It's construction work from that second song on.
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'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.