Walter Murch Quotes
'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
Quotes to Explore
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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Even though I got a late start, first publishing an essay when I was 50 years old, I've since written eight suspense novels.
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Getting old is a fascination thing. The older you get, the older you want to get.
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My go-to jeans are old Levi's I've gotten from boyfriends; they're worn-in and really yummy and perfect.
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Silence is also conversation.
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Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.
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What a delightful thing is the conversation of specialists! One understands absolutely nothing and it's charming.
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I think your teenage years define your musical roots forever. You're always looking for a theme for your high school years.
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Gay men in L.A. are all a bunch of tens looking for an eleven.
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Whenever I go to L.A., the make-up artist or hairdresser will end up having a conversation about how fat they think they are, and I really just can't take it seriously at all.
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We are looking for rebuilding Hungarian defence Industry with India's participation.
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I have a constitutional weakness in which I am very easily distracted by flashing lights. If there is a TV on in the room, I can't have a conversation with you. I won't eat, I won't sleep, I'll just meld with my couch.
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Inject a few raisins of conversation into the tasteless dough of existence.
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I don't listen to my old music of Vanity's unless I have to hear it playing in a mall or something place like that.
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I watched a lot of old movies. Clint Eastwood movies, a lot of John Wayne films, a lot of movies that celebrated the region of where I lived.
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I was eight years old when I knew I wanted to be an actress. I slowly started by getting into commercials, and then I was an extra on a TV show. And then the movies happened.
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When I was five years old, I auditioned for the role of 'Tiny Tim in A Christmas Carol.'
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It brings up happy old days when I was only a farmer and not an agriculturist.
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I was not particularly bright, I wasn't very athletic, I was a little too tall, odd, funny looking, I was just really weird as a kid.
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I'm not fashionable, and I know nothing about fashion, but I have my individual style, and style is eternal.
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One of the privileges you have of living the life of an artist and creating your own world and everything is the fact that, in-between times, you can kind of spend them however you want. Because, you know, once you open up your candy store again, you're open for business. And you have to be responsible. You have to be available.
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I think it's really cool, but Jimmy Eat World and Gin Blossoms did it better than anyone. People don't realize just how awesome the Arizona history is, especially for alternative music. Growing up, that's all I ever wanted to be was those two bands.
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'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
