Walter Murch Quotes
'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
Quotes to Explore
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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Even though I got a late start, first publishing an essay when I was 50 years old, I've since written eight suspense novels.
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Getting old is a fascination thing. The older you get, the older you want to get.
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My go-to jeans are old Levi's I've gotten from boyfriends; they're worn-in and really yummy and perfect.
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Silence is also conversation.
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Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.
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What a delightful thing is the conversation of specialists! One understands absolutely nothing and it's charming.
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I think your teenage years define your musical roots forever. You're always looking for a theme for your high school years.
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Gay men in L.A. are all a bunch of tens looking for an eleven.
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Whenever I go to L.A., the make-up artist or hairdresser will end up having a conversation about how fat they think they are, and I really just can't take it seriously at all.
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We are looking for rebuilding Hungarian defence Industry with India's participation.
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I have a constitutional weakness in which I am very easily distracted by flashing lights. If there is a TV on in the room, I can't have a conversation with you. I won't eat, I won't sleep, I'll just meld with my couch.
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Inject a few raisins of conversation into the tasteless dough of existence.
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I don't listen to my old music of Vanity's unless I have to hear it playing in a mall or something place like that.
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I watched a lot of old movies. Clint Eastwood movies, a lot of John Wayne films, a lot of movies that celebrated the region of where I lived.
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I was eight years old when I knew I wanted to be an actress. I slowly started by getting into commercials, and then I was an extra on a TV show. And then the movies happened.
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When I was five years old, I auditioned for the role of 'Tiny Tim in A Christmas Carol.'
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It brings up happy old days when I was only a farmer and not an agriculturist.
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The fictionally correct have all the answers, and that's what's wrong with them. They're artistic technocrats. There's no dilemma so knotty, no question so baffling, that it can't be smoothly neutralized by dialing up the right attitude adjustment. Poor old Hemingway. If only he'd known.
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When you start putting pen to paper, you see a side of your personal truth that doesn't otherwise reveal itself in conversation or thought.
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The industry in Japan moving toward CGI is not as severe and extreme as in the U.S. The animation industry in the U.S. is firing 2D animators and closing those studios, but I think it's possibly because the national traits of the U.S. prefer super-realism. Since Japan is a country that prefers plane vision, I don't think we will leave 2D and substitute hand-drawing with CGI entirely.
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Fear not, provided you fear; but if you fear not, then fear.
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'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
