Janis Ian Quotes
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I think all of us thought that by the '70s, at the latest the '80s, all the world's problems would be solved and everyone would be getting along fine. And instead we saw that Martin Luther King Jr. was assassinated that year, Robert F. Kennedy died. We saw that it was going to be a lot more difficult than I think we had thought.
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Once you're halfway home, you know that you can probably get the rest of the way there.
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It seems to be part of the human condition to need someone you can look down on. I still don't get that one.
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I see interracial couples all the time in Nashville. I'm a Jew in Nashville. I'm a gay person in Nashville. It's a non-issue in most of the time. That's a huge leap forward.
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I had a vague idea of the song's impact in the '60s, but that was tempered by the hate mail and threats I was receiving. It was only about ten years ago, when I finally put it back in my show because so many people were asking for it, that I understood 'Society's Child' real impact.
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I think I grew up, stopped worrying about what people thought of me, and whether things were going to turn out OK. I'm concentrating on doing the best work I can do and letting it go at that.
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I played for anybody and everybody from the time I started playing guitar, when I was 10 or 11.
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That's an amazing moment, the first time you hear yourself on radio. It's still thrilling.
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My parents both were doing the Civil Rights Movement, were very involved with the civil rights to Congress. And my friends' parents were as well.
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I think one of the reasons musicians keep doing what they do and writers keep doing what they do, is that we're totally unsuited for anything else. And I for one am much too lazy.
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At the end of the day, all you can hope for is to go on. The older I get, the more I realize that just keeping on keeping on is what life's all about.
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A radio show recently did a beautiful eulogy of me.
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I started 'Society's Child' on a bus in East Orange as I was going home from school. I saw a black and white couple sitting there and started thinking about it.
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The money when you're having a hit is great, but money can be taken from you. What can't be taken from you is the talent and the effect your work has.
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I was interviewed for a Grammy television show, and they asked me about Nashville, and I talked for three minutes and when I finished, I was teared up. The whole room was crying. Nashville has given me a home, where I never had a home before.
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I bought all my friends guitars and I had a good time with my money. But then one day the IRS came knocking.
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I've always been an avid reader. If I don't have a book in the car, I'll stop and pick one up just to have something to read. I don't even remember learning to read.
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Of course, I have a different vested interest in the gay community, because I am gay, and I would certainly enjoy the tax advantages that straight people have, and the inheritance advantages, and things like Social Security, but I've always been a civil rights advocate across the board. That's how I was raised.
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There will always be those people who are just backward and ignorant. There will always be those people. They need somebody to feel superior to.
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'Society's Child' was a real hard record to start with. That's all you want is for you to put your first record out and have people screaming at you in the streets. But it taught me right away that what I was doing was valuable and important.
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When people used to call me a political writer, it was kind of confusing because I was always much more interested in the social end of things which hinges on the political, but it isn't really part of it.
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Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.
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It's what I do well - I write about things that make people uncomfortable. That's probably the only thing I do better than my peers.
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Some people would rather stay ignorant and self-satisfied.