Brian Helgeland Quotes
Working on an adaptation is not as satisfying, because it's not your original work: you're interpreting. With 'L.A. Confidential,' I loved the book. In that case, I felt I was guardian of the work, staying as true to the novel as I could. I've since met the novelist, and he loves the movie and the script.
Quotes to Explore
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As you get older, challenges arise that you aren't prepared for, but what got me through it was music.
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You can be tops in Australia and be unheard of everywhere else.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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And I am a conservative. Sometimes conservatives forget we are supposed to conserve, to save, to be efficient. Plus our dependence on other sources of energy is causing our country to not be independent and to really be vulnerable. So this is a security issue.
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The two most important things in my life were academics and sports. I had to do my schoolwork first.
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Once you are a model, you do have to fly a million red-eye flights, and you do have to entertain a different client every single day.
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The way through the world is more difficult to find than the way beyond it.
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My mum was a child minder, but now she fosters. My dad was in the police force, and now he's a private detective.
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It's something you dream about, working in Scotland, working in Glasgow, walking down the same streets I used to walk down when I was a drama student, daydreaming about being in an American TV show or doing something that was well known. I guess I sort of pinch myself.
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I have to think of the positive; that's how I cope.
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As a legal matter, my mother is an American citizen by birth.
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Unlike fashion, art isn't applied. It doesn't have to serve anybody. It doesn't have to be there for any other reason than to give an impression of what the world is about.
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I have been sustained by cane field, the cane plantation I have.
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I don't wear plaid shirts.
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You look at a horse, and he's such a majestic, beautiful, powerful creature that you can't not be impressed. I love scraping the water off them when I wash them down because you go all round the contours, and its muscle and body, and you just think, 'Ooh, isn't this a magnificent creature.' You're touching it, and it's just solid, carved muscle.
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I may be a star in the South, but when I go to Bollywood, I am a clean slate, a white paper. Whatever the director makes of me is what I will become for the audience.
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I rarely think about myself that much. I really don't.
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In a democracy, the majority of the citizens is capable of exercising the most cruel oppressions upon the minority.
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My stage show is raw and unpredictable.
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I could list hundreds of words I've come up against in the course of my work that did not exist in the era of which I was writing and for which I never could find a suitably old-time, archaic or obsolete substitute.
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What I have to outline is action and plot because I'm not particularly good at that.
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There's something great about having all the attention and focus. I mean, you can't beat that.
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Somebody said to me, 'Whenever somebody says your name, a smile comes to their face.' That's a great accolade. I strive to keep it that way.
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Working on an adaptation is not as satisfying, because it's not your original work: you're interpreting. With 'L.A. Confidential,' I loved the book. In that case, I felt I was guardian of the work, staying as true to the novel as I could. I've since met the novelist, and he loves the movie and the script.
