Jaquelin T. Robertson Quotes
I'm interested in the gene bank of how Americans have built in different regions in different times.
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Quotes to Explore
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After I left college, I went to work at the Royal Opera House in London, which became a real catalyst for me because it made me realize that I was interested in cinema and in the way life is thrust at you. So I started making films.
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I would just die if some little girl saw me jump into bed with someone in the movies, and then she did it and got AIDS and died.
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A long life in journalism convinced me many presidents ago that there should be a large air space between a journalist and the head of a state.
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Think and grow rich.
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It is annoying to be honest to no purpose.
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It's incredibly fun to play someone that you don't like. It exorcises your own demons in a way. It's cathartic. We all have things that we don't like about ourselves, little things. And I get to amplify those things and put them out there. It's fun and it has a cleansing effect.
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Any time Khaled comes to your video, it just steps it up that much more. He's so fun; people love him.
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If I were dead, then nobody in England would have to fuss about the cost of my security and whether or not I merited such special treatment for so long.
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Decide what you want, decide what you are willing to exchange for it. Establish your priorities and go to work.
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In my proper character, I am an officer of the United States Army.
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In Shakespeare, unique individuals repudiate the stereotypes demanded by the structure of the play: Shylock commands our sympathy, Barnardine refuses to be hanged. Individuals trump the category.
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I don't think it's possible to separate out the strands of a writer's history, circumstances, life events, and that writer's themes.
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'Blood Meridian' was without question the novel that made me want to become a writer.
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If you ask me to summarise our mission, I would put it this way: We were a military regime that sought to lay the foundations for freedom and liberty in a complex society.
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I have a knack for choosing the wrong people.
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I grew up in Deptford in south London, and at that time I used to wear toppers, loon pants and tonic suits from shops like Take 6 and Topman. I was a bit of a soul boy, but I had a very eclectic taste in music - I was into James Brown and Bowie; and I was the only kid in the neighbourhood who would also be listening to Chopin.
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My motivation and aspiration is the same, being number one or being number five. So that's the truth. And my goal is the same - it's to always be happy playing, it's to enjoy the game and improve always.
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The beautiful thing about theater is every night is an opportunity to incorporate what you discovered the night before.
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One of the things that I love about voiceover is that it's a situation where - because you're not encumbered by being seen - it's liberating. You're able to make broad choices that you would never make if you were on camera.
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Even though language has its richness the relationship between language and the writer is always like a stone and you have to make the stone human.
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I believe in creative work.
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Even as I pursued a doctorate in the history of ideas in my native Denmark, I realized I had neither the encyclopedic training nor the passion for cool logic - not to mention the nerve - to follow in the footsteps of classical liberal philosophers and economists such as Robert Nozick, Friedrich Hayek, and Milton Friedman.
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I found music because I felt different.
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I'm interested in the gene bank of how Americans have built in different regions in different times.