Jason Bateman Quotes
There's this little recipe that you have to hit pretty well to get somebody to laugh. And it's a combination of the way in which you say something, with the facial expression that you have, married with the body language that you have, etc.
Quotes to Explore
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When I was 16, I filmed an episode of 'Full House' where my family goes to Disney World. I remember putting on baggy overalls just to hide my stomach. When I watched it, I was pretty disappointed and bummed out looking at myself... I didn't feel good about my own body.
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For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.
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At this point, American workers are pretty respectful of the bosses they loathe.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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I didn't like the idea of being foolish, but I learned pretty soon that it was essential to fail and be foolish.
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I put myself out there; it's part of my job, and I get it: people will attack me. At first I was thrown off, but now I have a pretty thick skin about it.
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It took me years to learn that sentences in fiction must do much more than stand around and look pretty.
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There are a number of Americans who shouldn't vote. The number is 57 percent, to judge by the combined total of Clinton and Perot ballots in the 1996 presidential election.
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There is nothing cooler than to have them singing your words back to you. The last show I did, I was kind of nervous about putting the mic out there, because you're not sure how it's going to go. But I did, and they sang the whole chorus. I thought, 'Holy crap! That is the coolest feeling.' It's the biggest rush ever.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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I have a huge Lego collection - I have a really big Lego collection. We're talking pretty darn large. I also have a huge collection of original stainless steel Thomas the Tank Engine train toys. Beautiful little trains; they're my favorite thing in the world.
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I'm pretty much a dinosaur in the studio. I like things hand-drawn, even today. The story artists use Cintiqs, but I'm the only person who hasn't completely converted to computers. I like the Cintiq, but there's something about the raw emotional power of using paper and pencil.
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I often wonder whether Negroes like myself who are pretty well known help out at all in breaking down barriers.
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A lot of the television industry is so cookie-cutter. In general, there are so many shows that are easy and bland to watch. You can tune in at any time and know exactly where you are in the story arc because it's pretty much the same every week.
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Recreating the experience of, say, bereavement in my own head is pretty rough. I was used to switching off from emotions every day of my working life as a journalist, but in fiction, you have to feel it 100%, or else it's a flat experience for the reader.
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I pretty much move around wherever I like.
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I'm pretty much an open book.
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I've reached a point in my life where it's the little things that matter... I was always a rebel and probably could have got much farther had I changed my attitude. But when you think about it, I got pretty far without changing attitudes. I'm happier with that.
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In those days it was pretty cut and dry. If you had a record company believing in you enough to cut an album then you had better have the ability to work the album on the road.
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It doesn't set off any alarm bells. As is typical with T. Rowe, no transition comes about abruptly; they tend to be planned pretty well.
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I grew up being scared of the water, which is embarrassing to say as an Australian, but it's true.
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People can come to me, and no matter how expert they are, I can virtually always see a way of doing something better.
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There's this little recipe that you have to hit pretty well to get somebody to laugh. And it's a combination of the way in which you say something, with the facial expression that you have, married with the body language that you have, etc.
