H. L. Mencken Quotes
Our literature, despite several false starts that promised much, is chiefly remarkable, now as always, for its respectable mediocrity.
Quotes to Explore
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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I see my role as a scholar announcing that women's feelings of unworthiness and insecurity often may be traced to training in a male-oriented religion, and I'm trying to investigate a richer spiritual life for both sexes.
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Help the man-in-the-street make sense of the bewildering.
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You really don't get paid in these independent movies, no matter how many people see them.
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In the 20th century, the United States endured two world wars and other traumatic and expensive military conflicts; the Depression; a dozen or so recessions and financial panics; oil shocks; a flu epidemic; and the resignation of a disgraced president. Yet the Dow rose from 66 to 11,497.
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Virtue knows that it is impossible to get on without compromise, and tunes herself, as it were, a trifle sharp to allow for an inevitable fall in playing.
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I played small forward on the basketball team. I also ran the 300 hurdles.
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I'm lucky that I have my family, I'm lucky that my parents are still together. Those are the things that I cherish.
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I'm lucky enough to do what I like for work - not everyone's that fortunate.
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The train's always full of football fans going up to see matches. Oh, they make sure I hear their points of view all right. They all want to have their say about their team, and make their opinions known.
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God may not play dice but he enjoys a good round of Trivial Pursuit every now and again.
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I just want to continue with gymnastics because I'm still young and fresh. I think can get some more titles under my belt.
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I run a fast pace on my sets, man. I like the energy of the scene to be the energy on the set. I think it affects the actors, and I think it affects the crew. There's that sensation like you're really shooting it for real, like in a documentary.
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I have been involved with the USO really my entire life. The first show I did for the USO, I was nine years old.
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It's really important, especially for young girls, to see that if you fall down, you get back up. If you get sick, you get back up. People are going to say what they want.
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I know what poverty is.
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People like to hear me say, 'You love me, Chandler Bing. You just don't know you love me.'
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I don't know how I got out of some of the scrapes I was in. But I know that there's some sort of plan.
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I believe in the promise of America. Being a Cuban refugee, having come here when I was eight, I know that this is a shining city on the hill.
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A friend is someone who supports you. And these people are buying tickets at outrageous ticket prices. If that ain't support, I don't know what is.
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And we are grateful to the American young men and women who are risking their lives to give the Iraqi people this chance, this dream of democracy in Iraq now.
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I went to school to study literature and writing, even though I didn't end up really doing that in the end. I thought I would be a teacher, but I didn't really think about it in any practical way.
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I made a compact with myself that in my person literature should stand by itself, of itself, and for itself.
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Our literature, despite several false starts that promised much, is chiefly remarkable, now as always, for its respectable mediocrity.
