Javier Solana Quotes
Quotes to Explore
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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I've done quite a few things based on real events or real people, and I think that's always really interesting that you can read about them or, if you're lucky, you can meet them.
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I think we Americans tend to put too high a price on unanimity, as if there were something dangerous and illegitimate about honest differences of opinion honestly expressed by honest men.
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History does nothing; it does not possess immense riches, it does not fight battles. It is men, real, living, who do all this.
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I do movies that I would like to go and see. I think that's a good barometer of how I choose films. I like going to these movies. Our job is to make sure the audience gets their $16 worth. That's my job.
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I think millennials are a generation that's a little bit behind, maybe four or five years behind the previous generation, as far as when they buy a house.
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I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.
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Let us not be so naive as to think that revolution is just a matter of social or economic discontent.
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I like to think I'm a role model for women. But I also don't like to just limit it to women. I like to think I'm a role model for human beings in general.
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I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances.
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I think because Sport Lux has come in and leisure wear is a new thing, girls can sneak in hoodies and leggings and so on where they wouldn't normally - it has been proper legitimate fashion.
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I think marriage is a beautiful thing. I'm still a supporter of it.
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I think I've written about family and things in 'Taipei' which could be considered Asian culture.
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Tenured professors are more prone than the rest of us to think that the university is the universe.
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When I write for kids, I have to make sure they know what can't happen. They have to know it's a fantasy. But when I write for adults, they have to think it's real. Every detail has to be real or they won't buy it.
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I had an indie pop phase, I had just about every phase you could think of.
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One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.
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As a consumer, I don't create art, but I think whatever the message is, art has to touch you.
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I played at different restaurants with my dad for a good year before I started doing anything on social media. I wanted to hone my craft before I put anything out there.
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I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.
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All my life I have been intensely repelled by the idea of 'making an effort'. I hate this idea today as much as I did as a child. I don't know why I hate it so much; I just do.
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So in my freshman year at the University of Alabama, learning the literature on evolution, what was known about it biologically, just gradually transformed me by taking me out of literalism and increasingly into a more secular, scientific view of the world.
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I was a pretty difficult teenager.
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We think it is part of history, this embargo.
