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And so one can imagine that in amorous seduction the other is the locus of your secret - the other unknowingly holds that which you will never have the chance to know. (p. 65)
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At male strip shows, it is still the women that we watch, the audience of women and their eager faces. They are more obscene than if they were dancing naked themselves.
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Boredom is like a pitiless zooming in on the epidermis of time. Every instant is dilated and magnified like the pores of the face.
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It is always the same: once you are liberated, you are forced to ask who you are.
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The close-up of a face is as obscene as a sexual organ seen from up close. It is a sexual organ. The promiscuity of the detail, the zoom-in, takes on a sexual value. (p. 43)
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Picturing others and everything which brings you closer to them is futile from the instant that ‘communication’ can make their presence immediate. (p. 42)
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Santa Barbara is a paradise; Disneyland is a paradise; the U.S. is a paradise. Paradise is just paradise. Mournful, monotonous, and superficial though it may be, it is paradise. There is no other.
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Distinctive signs, full signs, never seduce us. (p. 59)
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What you have to do is enter the fiction of America, enter America as fiction. It is, indeed, on this fictive basis that it dominates the world.
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One may dream of a culture where everyone bursts into laughter when someone says: this is true, this is real.
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A series of accidents creates a positively light-hearted state.
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If the thought enunciates an object as a truth, it is only as a challenge to this object's own self-fulfillment.