Matthew Heineman Quotes
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I'm not a war reporter.
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I went on a cross-country trip with three buddies to find out what our generation is about. I bought a video camera, started shooting, learned as I went, and ended up with 'Our Time,' a feature-length documentary about what it's like to be young in America. I was hooked.
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In the Affordable Care Act, Congress provided access to medical care for nearly 30 million uninsured Americans. Access is critically important, but offering access to an already broken system won't provide a lasting cure. We need to ask and answer the underlying question: Access to what?
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I'm so grateful to be part of the Sundance family.
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It's going to take each of us coming together to muster the strength to look in the mirror and ask, 'How can I help create a sustainable health care system for the 21st century?'
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I think it doesn't matter, the color of your skin; it doesn't matter where you are from. It matters how you relate to people, how you connect with people, and the open-mindedness with which you approach the subject. That's to me what matters when you are making a film, not who you are or where you are from.
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Sound is the most important thing on any film, especially documentaries.
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So much of the access that I was able to gain with the Autodefensas was over months, not days.
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I have faith in an audience being able to interpret complex material.
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The story is supposed to change; it's supposed to evolve. In making 'Cartel Land,' I ended up with a much, much different story than I started with.
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There's a wide range of motivations that led folks to patrol the border, to be part of Arizona Border Recon.
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We have a fee-for-service system that rewards quantity, not quality: profit-driven care rather than patient-driven care. So doctors order more tests, more procedures, and more drugs - we actually consume more prescription drugs in the U.S. than the rest of the world combined.
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The story of everyday people rising up to fight against evil to protect their families - it's a story that we've seen play out throughout history and across the world today.
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I was fascinated by what motivates men and women to fight for what they believe in.
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I think health care is incredibly, incredibly important.
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The amount of money that's being put into long-form investigative journalism has become less and less.
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At medical centers such as the Cleveland Clinic and Kaiser Permanente, teams of doctors and nurses provide coordinated care while working for salary instead of getting paid for every procedure.
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'Cartel Land' explores what happens when - in a Mexican society without order, law or security - vendettas, terror, and corruption go hand in hand with the pursuit of a better world.
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I think one of the major themes in 'Escape Fire,' really, if you break it down, is that huge institutions, the military, the Safeway Corporation and others, are being forced to change.
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We have a disease care system, not a health care system.
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My job is to generate discussion.
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'Cartel Land' seeks to give voice to the people of Mexico who suffer grievous harm from cartel violence and government corruption.
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For 'City of Ghosts,' I really didn't speak any Arabic. It obviously made it more difficult, but I also found it to be an advantage while shooting. It allowed me to focus on the emotion of the scene as opposed to just chasing dialogue.
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I fell in love with Mexico. I fell in love with the people.