Brian Selznick Quotes
I think from an early age I was aware of how a camera can tell a story, how a movie camera can affect how the narrative is told.

Quotes to Explore
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When I started out in the early 1930s, there were a great many magazines that published short stories. Unfortunately, the short-story market has dwindled to almost nothing.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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O man you are busy working for the world, and the world is busy trying to turn you out.
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Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.
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It's not like I've ever been the popular pretty girl at school or anything. I was always such a weirdo.
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Human faces shouldn't get lost amid the statistics.
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I'm free - but I'm also not free because there are millions of young people living in Iran. A filmmaker can only do a little.
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Interdependence is and ought to be as much the ideal of man as self-sufficiency. Man is a social being.
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There's obviously a group who enjoys what Tyler Perry is putting out there. And why fault them? And there's a group that loves the things that Spike does. So they should enjoy that, too. Is it my taste? Maybe not, but I'm not going to fault anybody for doing what they're doing as long as people are showing up.
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A resilient culture has a certain amount of resistance embedded in it. Not so much to capsize it, but enough so that it doesn't atrophy.
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As President Trump quickly moved to limit immigration, civil rights, and environmental protections, I felt fear for my young children, and guilt, too - as if I'd somehow betrayed the unspoken contract all parents make to give our children a better life than ourselves.
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I see myself as extremely lucky.
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In the movies, they make you look good and tough, but in real life, it's completely the opposite. I do these ueber roles, I think, because in real life I'm quite shy and reserved. In real life, I'm a dork.
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One of my favorite vacation places is Miami, because of the people, the water and the beach - of course - and the architecture on Miami Beach is so wonderful.
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I take great pride in having been able to overcome the Asian financial crisis and seeking the opportunities available to bring about an unprecedented growth in the economy.
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All I have seen teaches me to trust the creator for all I have not seen.
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We do not have to accept the world as we find it. And we have a responsibility to leave our world a better place and never walk by on the other side of injustice.
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I know I'm not a wordsmith. And I don't write poetry. Sometimes I think I should, because it's really helpful. But I always wanted to write novels.
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You want to read a book? That requires introspection. It requires time away from people and time away from the constant need to communicate and to connect.
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The truth is that painting is all about scale; you use scale to create experience. A lot of artists have lost that ability. They don't even know that's something they should be doing.
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One forgives the critic - perhaps - but never the good-natured friend.
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I remember my fourth grade teacher reading 'Charlotte's Web' and 'Stuart Little' to us - both, of course, by E. B. White. His stories were genuinely funny, thought provoking and full of irony and charm. He didn't condescend to his readers, which was why I liked his books, and why I wasn't a big reader of other children's' books.
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It is a mistake to define a libertarian as someone who is fiscally conservative and socially liberal. Never define libertarians in terms of conservatives or liberals. Conservative politicians are as fiscally imprudent as liberals, and liberal politicians are as contemptuous of individual rights as conservatives.
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I think from an early age I was aware of how a camera can tell a story, how a movie camera can affect how the narrative is told.