Jean-Jacques Annaud Quotes
Quotes to Explore
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I want to make sure the fine-dining restaurant has a clientele who is local as much as tourists and foodies.
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The 1950s would be my ideal decade because I'm actually very traditional; I enjoy being at home, and I'm a complete nester.
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I never pile a plate to the point where it overflows. I'd rather have a small plate with small portions and then get up for more if I'm still hungry.
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I'm a storyteller. I love to tell stories about brands. I love to tell stories, period. I like painting pictures through the words, and that's what I do.
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After practice, I would have to go back to the dorm and take a nap.
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So being two different people in one day unnerved me to no end.
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In a world of commoditized knowledge, the returns go to the companies who can produce non-standard knowledge.
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Our message of the day is service does not need a title.
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I would sum up my fear about the future in one word: boring. And that's my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again... the future is just going to be a vast, conforming suburb of the soul.
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I get why people want to come see me play guitar, but I still don't understand why people want to interview me.
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What musicals need is a new me.
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Love is a state of Being. Your love is not outside; it is deep within you. You can never lose it, and it cannot leave you. It is not dependent on some other body, some external form.
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My philosophy is that when I go out of my room, I'm prepared to love everybody I meet, unless they're bad.
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There is always room at the top - after the investigation.
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Who, other than a crazy person, does anything besides hang up on a robo-call? Any call, any person, anywhere, under any circumstances.
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I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'
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The pro-growth policies and spending restraint of Conservatives work.
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We make movies for the cineplex. They're designed for wide release. They're designed to be seen by a lot of people and eventually make money.
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The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
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If my future were black, it was better surely to face it like a man than to attempt to brighten it by mere will-o’-the-wisps of the imagination.
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And even if he knew the answer, he would keep on doing this. because, the thing was, he loved her. he couldn't walk away if he wanted to.
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British actors behave like Europeans; they are also extremely well trained.
