Harold S. Geneen Quotes
Performance stands out like a ton of diamonds. Nonperformance can always be explained away.
Quotes to Explore
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People like me were supposed to be into exclusivity, unapproachable. That's what I hate most. I think it's very demode.
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I like to prove people wrong.
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The feeling of friendship is like that of being comfortably filled with roast beef; love, like being enlivened with champagne.
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Basically, I'm a musical vocalist, but I do voiceover stuff as a sideline, like plumbing or something.
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Nobody is gonna love you like you. You're gonna be your best salesman.
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I would like to be the first ambassador to the United States from the United States.
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You're going to see this 'Internet of things' start demanding network performance and making the networks much more aware of what is on top of them.
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I like risky stuff.
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For every person that doesn't like you, there's gonna be somebody who does.
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I did successfully kick tobacco at the age of 34. I smoked for like 20 years, from 14 to 34.
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My wife had taken off on a plane. Two airplanes had crashed into the World Trade Center. I, of course, like any other person, felt potentially devastated, panicky a little bit.
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My kids like their eggs with catsup. I like mine with salsa.
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I like a sort of androgynous look, but I also love feminine shapes.
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If bigots behave like bigots, it's not a huge surprise.
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Having been raised by actors who love moral ambiguity and flawed protagonists, I feel like it's sort of in the blood to want to take it on.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I didn't like the idea of being foolish, but I learned pretty soon that it was essential to fail and be foolish.
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The infectiousness of crime is like that of the plague.
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There is nothin' like a dame.
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I think there are a few brands like Nike and Patagonia which are quite progressively minded.
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To tell you the truth, I hadn't seen any Pixar until I went to see 'Wall-E,' and I watched it and I was shocked to see how adult it was, with the setting in our lives, both present and future, and how they dealt with it... And then quite relieved to find that the one I was working on, 'Up,' how adult it was.
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Tony Judt's remarkable 'The Memory Chalet' was written from the prison of mute immobility.
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Performance stands out like a ton of diamonds. Nonperformance can always be explained away.
