Brie Larson Quotes
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I'm not really out in the world all that much. I mean, I live with no phone signal, in the hills surrounded by trees, and I have, like, a mom and two baby deer that come by all the time, and my dogs and the squirrels are in a full-on feud every morning.
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The thing I was always most protective of was my mystery. I worried that if I gave too much of myself, then I would limit the characters I could fall into.
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For me, the dumbest rule is that you can't chew gum in school.
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When I'm sitting in bed watching 'Chopped' - that Brie I know. But I don't know the Brie in sky-high heels on a carpet with a bunch of people screaming at me. I wonder what she's like.
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I'm just getting my sea legs. The first time you make them laugh, you're like, 'Oh my God - that just happened.' Then you're like, 'I made them laugh. I've earned this.'
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A lot of stuff I was reading in mythology was about how women used to be taught to be wild. The wild woman was an essence that existed in the world. We're still coming back from many years of us being chiseled out to be identical and quiet.
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Acting isn't like being an athlete. There's no real quantifiable measure. It's just a bunch of people feeling things.
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When I was younger, watching movies, it felt like everything was glossy and beautiful, and I didn't really relate to it.
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Each step of the way, I'm learning. When I leave an interview, I learn whether I feel, 'Oh, that was nice,' or that made me feel like a little piece of me was taken.
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Through film, I realized that was a safe place for me to play. It was a safe place for me to express myself and explore these things that I was afraid to explore in my real life.
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I just really like learning. I have to keep using my brain; otherwise, I get depressed.
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I think my mystery, or any person's mystery, is the thing that makes them most interesting. I try to be as conscious as possible of keeping that alive.
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Toni Collette has been a huge influence. She was my absolute number one idol, and then I got 'United States of Tara.' I was pinching myself. I couldn't believe the first day I was on set, and I got pages of dialogue of real stuff to do with her.
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Women are such strong, powerful leaders, and a lot of the time, we play it silent.
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It seems like people have to get their thrills somehow.
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In my personal opinion, you miss out on the beauty of the moment if you go in planning what the moment is. It's like having a vacation too jam-packed with activities. You miss all of the sunsets.
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I love exploring the characters that I play, but the reason I sign on for something isn't the details of the story but the universal message.
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I love to cook, and I've just gotten more and more into it over the years, just because it's the best way to stay creative.
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There were times my mom and I butted heads - over my curfew, over something like that. Whenever we would hit these moments of emotional backfire, she would say, 'You just don't understand what it's like to be a mother... I could never handle losing you.' I was like, 'OK, but just, like, chill out.'
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What 'Short Term 12' did was it gave me the confidence to explore my intuition more. The healing process that came for me for making that movie and then sharing it with people - I was able to see, first hand, that movies can have a healing power and they can teach us things.
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I just don't want to stop finding things interesting. I don't want to ever stop learning. I want to be a weird encyclopedia of bizarre knowledge.
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Maybe you're not perfect, but you're willing to actually look at yourself and take some kind of accountability. That's a change. It might not mean that you can turn everything around, but I think there's something incredibly hopeful about that.
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I don't take roles that are 'just another role.' I'm interested in learning more about myself and about humanity. So it should change you by the time it's done.
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I'd say there's more of a difference between a play and movie to TV than there is between TV and movies. But there's something involved in the repetition of things that require something different from me in order to sign onto a script.