Larry Wilmore Quotes
You are always, always overwhelmed by positive response because you know it can go either way.
Quotes to Explore
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You have to be un-comfortably comfortable in this business. There's always somebody else who wants what you have.
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Whether I do an original film, a dance, or a remake of my dad's hit songs, I have always been compared to him.
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Remember who you are and where you come from; otherwise, you don't know where you are going.
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One never can know the whys and the wherefores of one's passional changes.
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I haven't gotten a lot of feedback about, 'Oh, you helped me in this way.' But on social media, people are like, 'Thank you for your positive posts,' or 'It's fun to see you grow and your character. I feel like I'm growing with you.'
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I always have issues with trust.
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I don't know how many more times I'll be in New England again. But I leave coach Belichick and those guys with a salute: 'I love you guys. I miss you. I'm out.'
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I know only two tunes: one of them is 'Yankee Doodle', and the other isn't.
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I've lived in LA for so long, I don't even know what is real and what isn't any more.
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If there is any way you can get colder than you do when you sleep in a bedding roll on the ground in a tent in southern Tunisia two hours before dawn, I don't know about it.
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My first thought is always of light.
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I'm the youngest of five girls, and I don't know about you, but it's really hard to be heard when you have five women. I've always been this loud and over the top as a person because I just want to be heard.
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I was a class clown. At 12, I was definitely clowning. I was making all the jokes. But I was smart, so the teachers didn't know what to do with me.
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Lady Gaga is my name. If you know me, and you call me Stefani, you don't really know me at all.
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I know how ridiculous this sounds because of the job I do but I don't believe in romanticism and make-believe.
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We know that often holding those who have carried out mass atrocities accountable is at times our best tool to prevent future atrocities.
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I've always worn earplugs, but I'm sure my hearing's not great.
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I used to be one of the lead actors of a theatre group called Hetu when I was in medical school. Prithvi Theatre was our stomping ground. I'd got many positive reviews.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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Obviously, you want to honour the sound of your music, but I'm definitely open to trying new things and making myself use a different palette of sounds.
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If people like you, they'll listen to you, but if they trust you, they'll do business with you.
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I'd put it this way: Canadians want politicians to work together on their behalf. So that's what I'm committed to doing. I think it's been the goal of every NDP leader. Because we had a profound belief that we could do a good job on behalf of Canadians... if we were given that opportunity.
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On the videos for '1234' and 'My Moon My Man' I wanted to make the songs visible. And, really, what way can you make sound visible other than good old naive dancing? I was working with a choreographer, but I'm not a dancer. Any notion of elegance is impossible with me.
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You are always, always overwhelmed by positive response because you know it can go either way.
