Jeanine Basinger Quotes
Loving and appreciative, researched to a fare-thee-well, and pitched to both fans and first-time viewers of Singin' in the Rain, this delightful book delivers almost as much fun as the film itself.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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A loving mother–son relationship is always a plot or outwitting of some kind. 'Don't tell anyone, but...' my mother was always saying to me – when I wasn't saying it to her.
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Stage and film are just two wildly different animals. Why compare the two?
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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The film depends on the audience's belief in this relationship.
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It would be great to make a movie that had the style of a great '30's film.
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Being in a Woody Allen film. I cherish it.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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All my brother Eliot and I did as kids was film sketches.
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I’ve grown up in the film fraternity. My dad is a film writer, so yes. But I never ever wanted to be an actor because I didn’t believe that I could be one. I was very thin. I was 48 kilos. I could play sports, learn martial arts and all, but screen presence wasn’t there. It took me years to double my weight. Now I’m 78 kilos and sometimes I go up to 84 kilos when I train very hard.
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You can always feel the cool whisper of surveillance when the film hits your flesh, the eye of the camera or simply the camera eye . . . faces of passersby, clientele, unpaid extras change completely as soon as they’re no longer observed.
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Painting is marvelous; it makes you happier and more patient. Afterwards you do not have black fingers as with writing, but blue and red ones.
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Getting divorced just because you don't love a man is almost as silly as getting married just because you do.
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Loving and appreciative, researched to a fare-thee-well, and pitched to both fans and first-time viewers of Singin' in the Rain, this delightful book delivers almost as much fun as the film itself.
