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At that time c. 1904 – 1905 I tried, by means of lines and by distribution of mottled points of colours in his tempera painting on paper: 'Russian Beauty in a Landscape', 1905 to express the musical spirit of Russia. Other pictures of that period reflected the contradictions and later the eccentricities of Russia.
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Paris 1933 - 1944 with its wonderful (intense soft) light had relaxed my palette - there were other colors, other entirely new forms, and some that I had used years earlier. Naturally I did all this unconsciously.