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I have Netflix, but I don't watch television.
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Everybody has their weaknesses.
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I think what helps me when I'm working on a play, any play, is the degree to which the writer has truly visualized, and then fulfilled, the vision of the world that he or she is creating.
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I love making the backstory for myself. I think it's important. Every part I play, I work on the backstory. If it's fully written out in the script, or there are intimations of it in the script, fine. If not, fine, no problem. I'll fill it in, or I'll create what it is.
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If you're going to walk into a scene on a stage, you've gotta know what room you just left and what just happened.
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I love making the backstory for myself. I think it's important.