Jeffrey DeMunn Quotes
Quotes to Explore
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I can't say I'm having trouble with my husband or that I have a stubborn child.
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Every poor designer can go with things that are popular at the moment.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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A creationist can embarrass an evolutionist by asking for a definition of species.
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I love to feel glamourous. I love to have other women feel glamourous.
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No good poem, however confessional it may be, is just a self-expression. Who on earth would claim that the pearl expresses the oyster?
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Like the phoenix, socialism is reborn from every pile of ashes left day in, day out, by burnt-out human dreams and charred hopes.
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If you want to be an orator, first get your great cause.
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The mathematics is not there till we put it there.
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Everywhere I've turned somebody has wanted to sacrifice me for my good-only they were the ones who benefited. And now we start on the old sacrificial merry-go-round. At what point do we stop?
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To be a working writer is the holy grail, where you don't have three other jobs on top of that.
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The beginning is always today.
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Portion control is a real problem. My husband and I always split one appetizer and one entree. I'm sure waiters hate us.
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It is natural to die as to be born.
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I had to turn down a part in 'Empire of the Sun.' It would have paid £15,000, which was a year's earnings for me then, but I was offered a season at the 'National Theatre.'
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There's a lot of people over time who have brought out all these funky records that everybody has started jumping on like a catch phrase... When Planet Rock came out, then you had all of the electro funk records.
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I think we basically saw that the messaging space is bigger than we'd initially realized, and that the use cases that WhatsApp and Messenger have are more different than we had thought originally.
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The best thing I can say about 'Teen Wolf Too' is that it's the only time anyone ever referred to me as Preston Sturges. Leonard Maltin wrote that 'Teen Wolf Too' made 'Teen Wolf' look like Preston Sturges. I've always prided myself on that.
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I like all sorts of art, that's why I love wandering around The National Gallery.
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This particular one was very, very heartwarming and is the relationship of an older man and a young boy that are essentially on the run. And so yeah, as I say, Barry Crump wrote a lot of books and this one got into the hands of Taika Watiti who then writing the screenplay decided to really vamp up if that's the word, or ramp up and modernize certain phrases - getting in the humor. So he added a lot of a real comedy perspective onto it which is what I think the story needed anyway, especially for it to turn into a film. And it worked.
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It would make life much easier if I could have total faith and not question everything all the time, but I can't do it and I won't do it.
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I love making the backstory for myself. I think it's important.
