Jenna Dewan Quotes
I love the creative process, of getting to create your own show or your own movie, whatever it is you want to do, and have the resources to try and make that happen.
Quotes to Explore
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I am sick and tired of the process where everybody tells you that Indian companies don't have the technology and capability. We need to put money where our mouth is and make things happen, and that is what we are trying to do.
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I try and spend a lot of time with my kids. I try and have fun with my kids. I try to put father time in there.
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I feel pressure, but my emotions just don't show that much in my face.
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You're never going to read 'The Wealth of Nations,' and you shouldn't, really. It's 900 pages.
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I like to look at 'A Place in the Sun' every now and get inspired by it.
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How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself.
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I couldn't live on the singing at first, so I worked as a cleaner, in a launderette, in a garage, face painting and doing the windows of shops at Christmas, 'cause I had been to art college.
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I don't see a white woman. I see a black woman, even though my mother is white. Knowing that has made my life easier, I think.
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I think there's something really poetic about using nuclear power to propel us to the stars, because the stars are giant fusion reactors. They're giant nuclear cauldrons in the sky.
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I don't want to collect Indian art, though pots and beadwork and blankets made by Indians remain the most beautiful art objects in the American West, in my opinion.
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I am capable of much more. I guess every artist feels that way. If you are satisfied, you begin to stagnate. I want to grow as an actress every day. There are so many things you can learn, and you can improve upon your skills and abilities every day.
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I think it's really important to be conscious of yourself and the world around you. For me, that meant reading a lot and reporting.
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I keep pushing buttons and trying to grow as a person and as a filmmaker.
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When I go out and I see the genuine appreciation from the people, that's a big thing for me.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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I remember watching Gilda Radner when I was a kid and everyone thought she was so funny and no one ever said that she was a funny woman, she was just funny.
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There must've been some part of me that wanted to make my mark. But there was never a defining moment.
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I've never had a problem with people paying attention to what you're doing and say they find that they liked it.
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I want my grandchildren to be proud of me. That's the main thing.
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The top 10 per cent of the US population appropriated 91 per cent of income growth between 1989 and 2006, while the top 1 per cent took 59 per cent.
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I care about my work, but I don't care about getting it wrong. The more you do, the more you realise nobody's going to die.
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It's like a series of waves hitting you. First, getting excerpted in the 'New Yorker' last summer, then getting published, then the best-seller list, the award, the movie deal, now this, a Pulitzer.
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I love the creative process, of getting to create your own show or your own movie, whatever it is you want to do, and have the resources to try and make that happen.
