Jennifer Konner Quotes
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I don't like to listen to the unthoughtful criticism. When we have thoughtful criticism, I love it.
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When we're in production, it's 14 hours a day, and we couldn't be less involved in the world. My friends all hate me during that time because I can't see anyone. We say goodbye to everything.
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I think a great negotiator is an aggressive negotiator, and we're aggressive negotiators, We're not worried about someone coming at us.
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It's when people come at you on Twitter and say really crazy things. That's the kind of stuff that I insulate myself from. All of that is not very interesting or helpful, but we have critics who sometimes really love us or sometimes don't, and it's really interesting for me to see what they don't like about it.
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That's like - my thing is I'm always like, 'Oh, white men are ruining everything,' and Max's dad is like... don't say that in front of your son.
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I just saw 'Tiny Furniture' and became so obsessed with it that Judd Apatow jokes that I'm the distributor of it. I was making copies and giving them out.
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To be unkind to anyone. There's no room for that. Not on my watch.
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The first time I saw Lena Dunham was in 'Tiny Furniture.'
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Lena Dunham texts me every morning the minute she wakes up to make sure I'm alive.
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We've never had twin infants on set in all kinds of different roles.
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I'd quit my job at a production company and was like, 'I'm going to be a writer...' I became a temp, and it was the mid-nineties, when there was the Internet boom, and the normal group of graduates ready to fill in didn't exist.
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It's very hard to get together with your friends. You rarely see friends as a whole group.
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What I always think about when I think about 'Girls' is Lena being in a scene where she's very vulnerable, possibly directing, acting, and she's probably written the dialogue. It's 2 in the morning. Everyone's tired. Everyone's grumpy. And she has a smile on her face and kindness for everyone who interacts with her.
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I worked with Michael Bay on 'Transformers,' and I got to work with the writer of 'Transformers,' who's this really great guy whom I loved.
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We want to talk to celebrities about the things celebrities don't normally talk about. Like, we'd love to get Kim Kardashian to talk to us about finance. She is a businesswoman, after all.
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It is very hard work, but I am a big believer in not micromanaging; I hire really, really talented people and trust them to do their jobs.
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People will fight hard for something they want or something they don't want, that they don't believe a character would do.
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I was like, 'I don't get out of bed for less than $21 an hour!'... I temped at Chanel and the New York Stock Exchange, and then I'd come home and write.
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To be a little divisive is kind of hot.
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One of the reasons 'Boogie Nights' is one of my favorite movies is because it's about people in this gross industry, but they actually treat each other kind of like family. And at the end of the day, they're really kind to each other, and I feel like that is what we have.
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I always think there's this thing, when you live in New York, like, this unspoken agreement between everyone who lives there, like, 'We're sticking this out. It's the hardest place to live, but it's the best city in the world, so we are all going to do this together.'
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I've worked with Judd since 'Undeclared,' and once you work with Judd you never stop working with Judd.
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I just went insane. I just, like, couldn't get off of Twitter. It was like, 'I guess this is where I live now - talking about Emily Gould on Twitter'.
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The key is that when we disagree, we really hear the other one out and agree that there is a more elegant solution than one of us 'winning.'