Brittany Murphy Quotes
My dreams and aspirations when I was a child for as long as I can remember was to be an entertainer.
Quotes to Explore
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Life in California is beautiful.
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I told my agents that I love Holly Hunter and Frances McDormand and all of these women that are good at doing comedies as well as dramas.
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I don't have any superstitions, but what I always travel with is my pillow and my coffee.
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I want to help middle-school girls stay interested in math and be good at it, and see it as friendly and accessible and not this scary thing. Everyone else in society tells them it's not for them. It's for nerdy white guys with pocket protectors.
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I'm against a signature look, as that can be very outdating. But having said that, I also know my best qualities, so I'm not going to foolhardily give away my power.
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It's a different era. Our job now is to show leadership and vision and to help the next generation of artists.
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Running back was always my favorite position.
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I started riding the whole 'fluffy' train, and it's a cute word and socially a lot more acceptable than someone saying is fat or obese. If you call a girl 'fat,' yo, she'll raise hell, but if you say, 'Aw girl, look at you, you're fluffy,' there's almost a sexy appeal to it.
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I'm always shocked when I see myself because I don't recognize myself.
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I got in a really bad accident in a Toyota vehicle, but I feel like the safety of the vehicle and God really saved my life.
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The most difficult story that I've ever been involved in breaking on any of my shows was 'The Constant' episode of 'Lost,' which was when Desmond was consciousness-traveling.
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Bad ballplayers make good managers.
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To say that I am pro life is just wrong. I am personally pro-choice and legislatively pro-choice.
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My father felt that his world of ideas was too liberal for traditional rabbinical teachings, and he looked for a chance to find a way in life.
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Imperialist enterprise draws political consequences.
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I never dreamt, in my dream, I'm Dalai Lama.
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When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.
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I know how to wrap my turban a little better now. In the beginning, it was a little weird.
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'A Talk to Teachers' is emblematic of Baldwin's proclivity for candor over political appeasement and, like much of his work, focusses on history and the American consciousness.
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Every society, all government, and every kind of civil compact therefore, is or ought to be, calculated for the general good and safety of the community.
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YouTube did more for me than 'America's Got Talent.'
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Inherently, I have a social conscience which my late father inculcated in me. He was not exactly a very wealthy man, but he was very concerned about the underprivileged, about the people who didn't have equal opportunities.
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It is a cultural tradition that makes New Orleans what it is. It also represents the roots of American music and an important part of the African-American community in New Orleans. It unites people in some of the poorer neighborhoods of the city. It is absolutely critical to continue.
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My dreams and aspirations when I was a child for as long as I can remember was to be an entertainer.
