Jenny Slate Quotes
Quotes to Explore
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God isn't really interested in our batting averages.
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Young people have so many letdowns that people don't realize.
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Street protests in Saudi Arabia might warm our hearts, but they could easily lead to $250 a barrel oil and a global recession.
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As always, I wrote songs. Some people cook or play sports. This is what I love to do. Sometimes I can't express myself that well in talk, so I write songs.
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I'm in a really nice position because I can be selective with the modeling jobs that I do and just work with brands I'm passionate about. The two worlds balance out nicely for me because modeling is so social - it has travel, you meet people, it's extroverted. Whereas painting is very solitary - when I paint, I'm kind of in my own world.
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No one is more enslaved than a slave who doesn't think they're enslaved.
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$200, 300 million games, I'm a little scared about that; there aren't a lot of companies that have the resources or the courage to spend that much.
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I could play for the worst team if they paid the most... If the last-place team offers $200 million and the first-place team offers $10, I'm going to go for the $200-million no matter what team it was.
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Science is the ultimate tool to reveal the laws of nature, and the one word written on its banner is Truth.
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I envy the sensibility in Europe, appreciating beauty in women as they age. I'm going to go that way. I might dye my gray hair for a bit, but beyond that the buck stops. I'm not having any work done.
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My parents had to go to Ohio to get married in 1965 because it was still illegal in Mississippi. My white father and black mother.
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In L.A., I get a meal delivery service called Diet Designs. I like a nice butter lettuce salad with some avocado, fresh grapefruit, shredded chicken breast and raw almond slices with a sesame vinaigrette dressing. I also love juicing and am kind of obsessed with it.
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After all, it is the divinity within that makes the divinity without; and I have been more fascinated by a woman of talent and intelligence, though deficient in personal charms, than I have been by the most regular beauty.
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I found an agent midway through my year-long run at 'Grease' and just started to audition. I fortunately booked 'South Pacific' six months after 'Grease' was over, and I feel like that was a huge turning point in legitimizing myself in the Broadway community, and getting to do that was absolutely amazing.
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I write and do all my arrangements on my Mac. And um, I use Logic Pro, which is a great software program.
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Watching yourself on screen is always a little weird, but I didn't cringe when I saw myself on 'The Hour.' It actually exceeded my expectations; every shot looks like a vintage postcard and even my most brutally honest friends have said they think it's good.
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It's fantastic to strive towards a nice life where you eat nice organic food and your children go to a nice school and you can afford nice clothes and nice perfume and the hypoallergenic make-up. But there's never a day goes by, and I mean this from the bottom of my heart, that I don't think about where I'm from.
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I'm not the type to sit on the porch and watch life go by.
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We didn't get where we are thanks to the sissy notion of resilience.
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I don't speak Filipino or Spanish, but I've sung in both.
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The funny thing is you oddly don't really say goodbye to all the characters you've played. There's like a chest of drawers in your head that you can always access. They're always around. I'm not sure if that's healthy. But they're all there.
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When dealing with a subject who is dead, you have this feeling of being God. You know who they're going to marry, when they're going to die. It's strange to feel so omniscient.
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The world's battlefields have been in the heart chiefly; more heroism has been displayed in the household and the closet, than on the most memorable battlefields in history.
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I just want to be able to be creative.
