Jerry Saltz Quotes
I don't plan out my visits rigorously, but I do have a list of about 125 New York galleries, alternative spaces, museums, and so forth that I visit regularly. That's the closest thing I have to a strategy: I go to a lot of places, many that artists don't visit.
Quotes to Explore
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Science fiction frees you to go anyplace and examine anything.
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Enthusiasm will steady the heart and strengthen the will; it will give force to the thought and nerve to the hand until what was only a possibility becomes a reality.
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We always see abhorrent behavior and say why, but then we get mad when somebody tries to answer.
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Medicine, you see, is my first love; whether I write fiction or nonfiction, and even when it has nothing to do with medicine, it's still about medicine. After all, what is medicine but life plus? So I write about life.
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I remember doing my mosaics or being in my little hiding place behind the couch snooping. I'd get bored sometimes, of course, but I think that's good for a kid, because it forces you to be creative.
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I want every day to be life for the living, not just traipsing through it existing. I'm just interested in life and the world and exploring.
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My happiest moments of growing up in the Bronx were when my mom would bring home a new sports magazine from the candy store. I would jump out of bed and grab it from her. Then I'd rip the front cover right off and tape it to my bedroom wall.
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All the best parts of art come from pain turned to celebration.
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Everybody who does anything for the public can be criticized. There's always someone who doesn't like it.
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This is what the election of 2010 was about. We didn't send conservatives to Washington to flirt with Democrat proposals for higher taxes and more debt. We sent leaders to stop them.
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When we talk about 9/11 and 26/11 - which is the shorthand for the Mumbai attacks in 2008 - we're talking about the most successful terrorist attacks in history. When you start trying to study the most successful event of its kind, it actually doesn't make for great fiction because there isn't the kind of failure in it that fiction thrives on.
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I could've always worked shows, clubs, Las Vegas and Atlantic City, but I was successful in business ventures, and things weren't happening in show business, so I said, 'Let me see what I can do.'
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It is odd there are many movies with many men. But generally movies have one woman, or maybe the older woman and the younger girl.
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The trouble with records is that they're too short.
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Actors need to learn when their character is front and center and when it's more in the background.
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I make it clear why I write as I do and why other poets write as they do. After hundreds of experiments I decided to go my own way in style and see what would happen.
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The first TV show I worked on was with the guys from 'Little Britian,' Matt Lucas and David Walliams, who did a show in 1995 I directed, 'Mash and Peas.'
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We need to make more original movies, and audiences would do well to support original movies for the future of the medium.
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Many are the wonders of the world, and none so wonderful as man.
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The one path that never works is the most common one: doing nothing at all.
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You can read about yourself but what's important is how you feel about yourself.
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No divine terror will ever be found in the work of the man who wastes a colossal strength in elaborating toys; for the first lesson that terror is sent to teach us is, the value of the human soul, and the shortness of mortal time.
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I don't plan out my visits rigorously, but I do have a list of about 125 New York galleries, alternative spaces, museums, and so forth that I visit regularly. That's the closest thing I have to a strategy: I go to a lot of places, many that artists don't visit.
