Jessamyn West Quotes
Quotes to Explore
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I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.
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I find it very difficult to say no when I'm in Ireland. You do end up going around doing lots of events and things and not getting work done, and it's not just a question of having hours at the desk.
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The fundamental importance of the subject of molecular diffraction came first to be recognized through the theoretical work of the late Lord Rayleigh on the blue light of the sky, which he showed to be the result of the scattering of sunlight by the gases of the atmosphere.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.
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I got to work with legendary director Garry Marshall.
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It is obvious that the monetary union among 17 very different European countries does not work. As an economist, I know that the Eurozone is not an optimum currency area, as defined in economic theory.
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How are the cabs in your city? In Manhattan, where I work, they are rather awful.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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Once, America's size in the imagination was limitless. After Europeans settled and changed it, working from the coasts inland, its size in the imagination shrank.
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I'm not an isolated person. The more I connect to people, the more I have the feeling that things work.
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My father always said I have a face for radio, and 'Cloverfield' was one of my finest pieces of work.
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Building sustainable cities - and a sustainable future - will need open dialogue among all branches of national, regional and local government. And it will need the engagement of all stakeholders - including the private sector and civil society, and especially the poor and marginalized.
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I work out, I go to pilates, I walk and I eat everything I can get my hands on.
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Every view, and every object I studied attentively, by viewing them again and again on every side, for I was anxious to make a lasting impression of it on my imagination.
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The future is no more uncertain than the present.
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The debt we owe to the play of imagination is incalculable.
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I feel like I've made good friends with people I've worked with, but in terms of lasting inspiration, it is probably Matthew Vaughn who directed 'Kingsman' who's been really supportive, loyal to me, and been a really good person to work with.
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The past is but the past of a beginning.
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I gradually work myself into a frenzy as the shoot approaches, while we're choosing the costumes or working with the make-up artist. I'm not so much interested in my character as the film itself.
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One of my teachers once said that the way you know you're on the right path is that it works. Now, that doesn't mean you don't run into blocks and brick walls, but it does mean that you can find a way around them or find a way to change yourself or your project in order to find the flow again and have it work.
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Hubert Humphrey talks so fast that listening to him is like trying to read Playboy magazine with your wife turning the pages.
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No, because I've never really changed my style that much.
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The past is really almost as much a work of the imagination as the future.
