Bruce Rauner Quotes
Quotes to Explore
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For me it's also - the music is equally as important. I mean I think as somebody who writes music, there just has to sort of be the marriage between both.
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Yes, and I can sit down on a white piece of paper and work because I don't believe too much into inspiration, only I'm waiting for inspiration, work and then inspiration may come. It's a little too easy to say that.
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You have to find out how to become the character.
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It's always really challenging trying to go from player to player/coach. You have a kind of friendship basis of relationship with all of your teammates, and now you go to this power position where you have to make decisions that might hurt people's feelings.
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I was never offended that people underestimated me because of my appearance or that they thought I was pretty and discouraged me from fighting because they didn't want me to risk hurting my looks.
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Every season, I'm like, 'Who knows if I'm going to get another job?'
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As a young man you don't notice at all that you were, after all, badly affected. For years afterwards, at least ten years, I kept getting these dreams, in which I had to crawl through ruined houses, along passages I could hardly get through.
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I didn't get into rap to be no lyrical genius. I got into rap to feed my family and help the people in need around me, that's it. A lot of people say, 'Man, Waka Flocka ain't go no lyrics,' so I was like, 'Yeah, you right!'
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Since I played a warrior in 'Magadheera,' my character sported shoulder-length hair and a thick beard.
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I'm an Indian-origin painter. I will remain so to my last breath.
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For Gore 2000, I was a formal campaign adviser: contrary to RNC mythology, my brief was not 'wardrobe,' but rather policy on women's issues, and messaging. I was also married to a Clinton speechwriter, and observed the message decision-making process from the perspective of a spouse.
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In the summer we graduated we flipped out completely, drinking beer, cruising in our cars and beating up each other. It was a crazy summer. That's when I started to be interested in girls.
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In fiction, you know, there are no borders. You can go anywhere.
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Stopping to think is fine for characters, but not for their creators. They have to work.
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You have to think hard with a tattoo. 'What will I love for the rest of my life?'
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What led me to be an actor is that I have a strange something in me that can drastically change the way I appear to the world. Growing up, I couldn't understand why people would always have different ideas of me - but because of that I became aware of how you can manipulate your own ability to change. And then I learned to make a career of it.
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I do a lot of public speaking and presentations and I'll always start with a self-deprecating joke to make everybody feel comfortable with my size because there can be hang-ups and anxieties.
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I am more of a suspense writer. A mystery writer solves mysteries. I am a 'high suspense' writer.
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I remember, growing up, if something big - God forbid - happened, the first jokes you heard on the subject came out of Jersey.
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In 1981, Ms. Ebtekar was made editor-in-chief of the English-language newspaper 'Kayhan International.' The man who gave her the job was Mr. Khatami, who was then head of the Kayhan publishing house.
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For obstacle racing, you wanna be as light, lean, and fast as possible. So, if I lift a lot of weights, I'm gonna be a little bit heavier, which will make it harder for me to hold myself up.
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Comedy is surprise. Comedy is not something that you can, necessarily, do twice.
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Crisis creates opportunity.
