Jessica Williams Quotes
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A lot of the time, black people, we don't introduce ourselves as black.
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As an executive producer, I feel really lucky.
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I'm always battling how to be in a relationship while simultaneously maintaining my independence and my career.
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I grew up hearing, 'You're pretty for a black girl,' 'You speak well for a black girl...' I was really bookish. I was reading all of the time. I had big glasses.
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I'm a tomboy, but I really love doing my makeup - I find it relaxing and grounding. With 'The Daily Show,' it was easier for me to do my own makeup. In the beginning, I watched a lot of YouTube tutorials. You find a beauty blogger who has your skin tone, and pretty much everything they use will look good on you.
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I ended up living in braids. It was the '90s - thin braids were very popular - and my mom took me to a lady's kitchen. I got it done, and I've never stopped.
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I think we need to not speak over black women, not assign them labels.
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I'm always thinking about what a black lady would think about what I'm doing, just because I feel like they have such great taste, mostly because as black women, we've spent a lot of time downloading what a white male narrative is, so in my head, I'm like, 'If a black woman likes it, if she responds to it, then it's probably pretty damn great.'
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'The Daily Show' was like my family. We had dogs in the office every day, all day. It was just such a warm, beautiful, sweet experience for me. Choosing to leave the show was so hard because I really, really loved everybody there, and I loved what it gave me and the platform it gave me.
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I started 'The Daily Show' when I was 22. I was going to class at Long Beach.
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Oh, I'm obsessed with the Kardashians. Not the way that I think a 13- or 14-year-old girl would be, but I find them fascinating. They are so rich. They are also, at the end of the day, women of color.
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Oftentimes, as women and women of color, we are put as supporting characters in other people's narratives. With 'Jessica James', she is the star of her own narrative.
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I wanted to do screenwriting. That's what I went to school for, but my major was overfilled, and when I got 'The Daily Show', I was a semester away from officially starting my major, so I never started that in particular.
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The black experience for me has been very interesting. Some days, I wake up, and I feel really black. Some days, I'm like, 'This is me. I'm black. Black Lives Matter. Black pride. Look at my cocoa skin.' I just feel it's my being.
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There's such an adrenaline rush for me on stage and having all these people look at you. There's an adrenaline rush from not having things written down, too.
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As far as diversity's concerned, there's me, there's Al Madrigal, there's Aasif Mandvi. But I'm not walking around feeling black all the time. That would stress me out.
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I don't really do stand-up.
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I love it when women are like, 'You guys sound like me and my best friend!'
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I don't know how to cook. I work a lot. So, for me, then, it's important to find a man who can cook. Who will make the house a home more than I can.
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Every day when I wake up, I check Instagram.
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I'm a young correspondent, so sometimes I'm just young. Sometimes I'm just straightforward.
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When you see the way some people write women, especially in studio movies, it's like, 'Sorry! Sorry for being alive!' Women are so apologetic.
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There's something missing in all this new new media craziness, and that is something that uses celebrity news as a way to get into a really serious analysis of our culture.
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It's a really nice way to cut your teeth, doing live shows. It's like going to the gym because you do have to think fast. You are constantly under the threat of people not laughing. Instead of getting hit, people could just not laugh, so you really are trying to mine quickly for the funniest thing you could say in that moment.