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My parents said to us, practically on a daily basis, that we were as good as anyone else on this earth, and that we would simply have to work harder in order to show that.
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As for my voice, it cannot be categorised - and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range.
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I knew that I was loved. And that's such an important thing. And, of course, at such an early age, you take it for granted. Of course your parents love you. Of course Mrs. Hubert across the street loves you and your godmother loves you and your grandparents love you.
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I didn't think at all as a young child that music would be my profession. It was just something that one did along with going to Brownies or going to church or going to school or anything else that one did in sort of one's very young life.
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Herbert von Karajan always rolled out a magic carpet for us, the singers. With him, our musical work took on another dimension.
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I love singing jazz. I don't like the idea that classical music should be over here and jazz should be someplace else. It's all wonderful, and we should be open to enjoying it all.
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I am deeply spiritual; I revel in those things that make for good - the things that we can do to shed a little light, to help place an oft-dissonant universe back in tune with itself... Long live art, long live friendship, long live the joy of life!
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I think that it is expansive for the mind, for the fantasy of children and grownups alike, to understand that the world is huge. There is so much in the world to experience, and the odds are so essential to life.
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If you send up a weather vane or put your thumb up in the air every time you want to do something different, to find out what people are going to think about it, you're going to limit yourself. That's a very strange way to live.
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One needs more than ambition and talent to make a success of anything, really. There must be love and a vocation.
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I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
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I enjoy reading about the lives of musicians, and find many similarities in their ideas of preparation and their utter devotion to this great, eternal language: music.
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I have enjoyed most particularly reading the correspondence between Gustav Mahler and Richard Strauss. The genuine friendship, competitiveness and support that thread through their communications are life lessons for us all.
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It takes a caring community to raise a child that will be a whole person and a contributing citizen.
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I want to keep learning, keep exploring, keep doing more.
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We singers have a different level of responsibility from other musicians. We have words that we must convey; we have meanings that we must convey through these lyrics.
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I walk an 11-minute mile without huffing and puffing.
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I wasn't born Austrian; I wasn't born German. My roots are from Africa, and I do not have any reason for not wanting to celebrate that. Every time that I can, I like to kind of mention it, you know, just to keep people sort of knowing exactly what's going on. My French is pretty good, but I'm still African, thank you very much.
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I'm a sloucher, sort of, when nobody's looking.
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I sing in languages that I speak. So when I'm singing a Schubert song, I know precisely what every word means and, you know, when it was composed and who was the poet and all of that and whether Strauss or Wagner or French Belioz, Duparc or Debussy or whatever.