Jhumpa Lahiri Quotes
The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold.

Quotes to Explore
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To rise from error to truth is rare and beautiful.
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It wasn't my dream to make music. It was just something I ended up doing, and no one said stop.
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Cambridge was a joy. Tediously. People reading books in a posh place. It was my fantasy. I loved it. I miss it still.
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When 'Lost' was over, we expected that there'd be some people who'd really like it and other people who wouldn't. The Emmy nominations are an indication to us that there were a fair number of people who did like the way we concluded our story.
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There are not many people on Team Gary. Actually, it's two people. My kids.
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I don't look into negative things. Go past mistakes and look forward.
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I use humour a lot. My foundation is tragic, but my appearance is humorous.
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Moral discipline is the consistent exercise of agency to choose the right because it is right, even when it is hard.
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A God who makes no demands, is the functional equivalent of a God who does not exist.
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We are a little piece of continual change, looking at an infinite quantity of continual change.
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I didn't know you would be here last night, but you were. We can't fight fate. Instead, we must accept that fate has given us a special opportunity.
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You could say sorry," suggested Harry bluntly. "What, and get attacked by another flock of canaries?" muttered Ron. "What did you have to imitate her for?" "She laughed at my mustache!" "So did I, it was the stupidest thing I've ever seen.
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We need to encourage an attitude of constant questioning, which is a genuine part of our potential as students. If students were required to drop their questions, that would create armies of zombies- rows of jellyfish...The questioning mind is absolutely necessary.
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It's tiny out there...it's inconsequential. It's ironic that we had come to study the Moon and it was really discovering the Earth.
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Now Sue Grafton loves writer's block, seeing it as a message from the psyche that the narrative is headed in the wrong direction.
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The only thing documentary filmmakers have to work with, at least the way I make films, is trust. That's been true of everyone from James Carville and George Stephanopoulos to the kids in 'American High' to the soldiers in 'Military Diaries' to Anna Wintour to Dick Cheney.
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The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold.