Jidenna Theodore Mobisson (Jidenna) Quotes
I thought I had everything going for me. I wasn't listening to nobody. And my dad was like, 'Uh-uh, you can't make money from music. You have to be a doctor, a lawyer, engineer. Something that's going to do something for this world. Music doesn't do anything.' And I had to fight that, his passion, and fight the society that I was from.
Quotes to Explore
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Yes, all fundamentalists feel that in a secular society, God has been relegated to the margin, to the periphery and they are all in different ways seeking to drag him out of that peripheral position, back to center stage.
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I have been fighting climate change for two decades, and people often ask me how I remain hopeful in the face of extreme weather and grim forecasts. The answer is simple: I see countless solutions spreading across the nation and across the world. But we need more investment.
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With the monstrous weapons man already has, humanity is in danger of being trapped in this world by its moral adolescents.
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Those who have accomplished great things in the world have been, as a rule, bold, aggressive, and self-confident. They dared to step out from the crowd and act in an original way. They were not afraid to be generals.
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I don't spend a lot of money on clothes, which is weird because I am a fashion model, but when it comes to the new collections coming out, I am just praying designers send it to me for free.
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You can't get emotional about your work.
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It's a notion that career-oriented women often neglect their families. But we should cut them some flak; these women are doing everything for the sake of family so that it progresses. I believe when kids see their mothers working hard, they take up responsibilities at home and are far more well-turned out than other children.
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When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
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Artists are political in the sense that they've subtracted themselves from the structure of the marketplace and are contributing something that's not utilitarian. Even though books get sold, and I get advances, I get to look at society and think for a living.
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I really identified with Pocahontas' struggles as a young woman trying to identify herself in a modern, changing world and trying to stay true to her culture and heritage.
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I think fractures in your childhood make you observe the world more as an outsider. Possibly it pushes you outside.
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That's the kind of consumer society we live in. We're always looking for the next product that's going to change your life instead of just going out and changing your life.
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My family lived in Thousand Oaks. In 2002, when I was 17, I begged my parents to let me move out. I had money, a real job, and wanted to get my own place.
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In a world with weak aggregate demand, countries are engaging in a futile competition for a greater share of it. In the process, they are creating financial-sector and cross-border risks that will become increasingly apparent as countries exit their unconventional policies.
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My scientific work is much more practically minded - to change something, to effect something. And the music I do is much more soft power, about changing minds.
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I was a fan of T-Pain's music growing up. I bought 'Epiphany' and 'Rappa Ternt Sanga.'
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Music's always been really cathartic. It's the best drug for me to get away from the everyday pressures just for a second via a good song.
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Music is really something that makes people whole.
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Perhaps if all the peoples of the world understand what war really means, we would eliminate it.
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In my mind, I always think of myself as an underdog type.
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People have told me that they cannot put down 'If I Stay' after reading it, and readers have become very invested in the love story between Adam and Mia.
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The first conversation I ever had about the Internet was in 1993 with Robert Wright, who was then a colleague at the 'New Republic.'
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I’m aware of my weaknesses and THE BEAST WITHIN.
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I thought I had everything going for me. I wasn't listening to nobody. And my dad was like, 'Uh-uh, you can't make money from music. You have to be a doctor, a lawyer, engineer. Something that's going to do something for this world. Music doesn't do anything.' And I had to fight that, his passion, and fight the society that I was from.
