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When you're an actor in grade school, high school, college, whatever, you start to realize what you're really good at, what you're kinda good at, what you're okay at, and you start to compartmentalize. But if you know yourself and what you're capable of, it's just a matter of opportunity.
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The imagination is part of the arsenal that actors draw from.
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It used to be that people would watch TV shows because they knew the characters would stay the same. Whether it's Archie Bunker or it's Thomas Magnum you watch it because it's like, 'I'm comfortable, this is the same guy.'
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Given the right set of circumstances any one of us could become dangerous - so why not show that in our programmes?
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If something is well-written, it has a chance to be good and if it's not well-written, it will not be good. It could even become popular, but it won't be good.
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Our whole society is instantaneous.
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The TV business is like the produce section of the market. Today everything is fresh and glistening and firm. And tomorrow, when they find a bruise on you, they toss you out.
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Bad for the sake of bad is boring to me and not believable.
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I want to be able to experience everything. I want to experience being a husband, experience being a father, experience, maybe, hopefully, someday being a grandfather, and all those things. I want that experience. When I die, I want to be exhausted.
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My passion is becoming involved in good work, whether that means as an actor or writer or director or producer or all - that is not as important to me.
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What's great about well-written material is, if you can shock with justifiable actions, that's the best.
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If you're a person who complains about everything all the time, then you're just the boy who cried 'wolf.' But if you do it on occasion and about the right reasons, then people listen.
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At my age, I don't think anyone is untouched by cancer.
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The only thing that we as actors really can control is to be able to say 'yes' or 'no' to the material.
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I think naturally, if you're an actor, there's a high level of assertiveness that you need to have to survive this business. There's boldness in being assertive, and there's strength and confidence.
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I intend to do more directing TV.
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I learned long ago to focus on things you can control and don't even pay attention to things you don't.
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I'm not crazy about being out of control, and I get emotional when things are unclean. When things are out of order. When things are messy. Because I lived in a mess as a child.
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My personal feeling, if I can interject a political note, is that I don't think it is right that basic health care is a privilege. It shouldn't be. It should be a right of all human beings. And certainly in the richest country in the world.
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Every experience feeds an actor, and I've learned that depression is all around us.
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I admit, I do a lot of projects, but it's because I'm in a position now where I'm reading a lot more scripts and plays and things, and I'm really listening to offers and trying to think what I want to do at any given time.
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Mixing humor and politics is something that works.
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When you're directing an ongoing series, the tone has already been set. So a director will come in and fulfill that tone - reinforce the characters and their behavior. The challenge is to find unique ways that you can visually tell the story while keeping the established tone and the pace and the characters.
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With craziness, you can't predict it. There's very little defense you can have on craziness.