Sam Taylor-Wood Quotes
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People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
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I struggle if I have chaos around me, but at the same time, if I don't have it, I'm uncomfortable. It's a strange thing: If I don't have chaos, I create it.
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I'm interested in taking raw human emotions and then isolating them without any narrative structure. In order to achieve this, I try to break out of the narrative conventions that you'd see in a typical feature film.
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I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
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When I had cancer - of the colon first, followed by breast cancer and a mastectomy - my motto used to be 'Drips by day, Prada by night.' I felt that I had to grasp it in the same way as you'd take on any challenge.
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I really have learned to live in the moment. I don't question things too much or try to project into the future. That's how life should be.
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My childhood had its challenges, like everyone's. It imbued me with certain things and took away others. It made me very determined.
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I love karaoke. I love maudlin country ballads. In another life, I'd be Loretta Lynn.
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I find that I put my body in my work when I am at a particularly difficult or joyous point because I want to feel that moment.
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Never trust a hippie. That's definitely my motto.
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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I'm motivated every second by my work; it doesn't switch off. The pictures I make come from every blink of my lashes.
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Having children is exciting. Life puts the past into perspective.
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Britain can sometimes feel like a very small village, and you're this, I dunno, scarlet woman they're all gossiping about.
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I've been through plenty in my life where I've really had to focus on the day ahead... because, as I know, the future is, you know, whatever the future is... Once you've stared mortality that hard in the face, you really seize the day.
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My work is made on lines similar to those of a film production. A lot of my work is kind of bureaucratic, endlessly phoning up people, trying to find the cameraman and the lighting man, because I am a total technology-phobe, quite helpless with equipment.
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I feel lucky to be getting older. The fact that I made it to 30 and then 40 was big enough. So I can't get too down on getting older; otherwise, it kind of undoes everything I've fought for.
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Daniel Day-Lewis is one of the greatest actors of our age; he's like Olivier. He's one of those people who can take you into a place where no one else can take you.
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A lot of children remember seeing cartoons, 'Pinocchio' or 'Bambi' or something that breaks their heart. I remember seeing 'The Blue Angel' and it breaking my heart. It was the first time I realised there was an adult world - that adults could damage each other or destroy each other emotionally.
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Sorry, there's nothing like a screaming baby to make a mother twitch.
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I think people are frightened of women making big decisions.
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I love life. I think it's fantastic. Sometimes it deals hard things, and when it deals great things, you have to seize them.
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I felt giving birth was the most creative act of all my creative acts - literally creation!
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After I left college, I went to work at the Royal Opera House in London, which became a real catalyst for me because it made me realize that I was interested in cinema and in the way life is thrust at you. So I started making films.