Jimmy Iovine Quotes
Apple, of all the global tech companies, was the one that understood why artists make things.
Quotes to Explore
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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We have a structural problem because you can simultaneously understand the medium to long-term risks of climate change and also come to the conclusion that it is in your short-term economic interest to invest in oil and gas. Which is why, you know, anybody who tells you that the market is going to fix this on its own is lying to you.
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You want to know why there's a Texas Rangers? Well, here's the answer. You know how the six-gun came around? Well, here's the answer. You want to know why Mexicans allowed Americans to settle Texas in the first place? It was fear of Comanches.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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There is only one thing keeping us from having heaven on earth: we can't believe it! Why? Because we don't want to be wrong - so we'll be right and make it hell!
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If you listen to a Deadmau5 record or a Skrillex record, I really enjoy that stuff because, as aggressive sounding as the Skrillex records are, they're still musical, and that's why they have such a broad appeal.
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Stranger, if you passing meet me and desire to speak to me, why should you not speak to me? And why should I not speak to you?
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Do what you really want to do. That's why God put you on this earth.
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The reason why nothing sticks to Trump - or very little sticks to Trump - is that he created this brand idea that has to do with being the guy who gets away from it.
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You know why they think I'm reclusive? I don't do the Hollywood stuff. I've never been on the circuit.
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I had the opportunity to go and read to cancer patients in hospitals and saw how something as little as that could make someone's day. I also think it's important to support people who are standing up for a good cause, so that's why I get involved with different campaigns and charities.
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I don't take investment advice from wealth managers. I have grown several businesses from scratch and amassed many millions from my publishing empire - why would I take advice from someone who has never experienced that?
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Why can't I just eat my waffle?
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I'm definitely a glass-is-always-half-full, not half-empty, kind of person. Which is why I love living in America.
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Books can capture injustices in a way that stays with you and makes you want to do something about them. That's why they are so powerful.
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My mother was American, and my father was from the Caribbean, and there was a big open door into the world of humanity and music.
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I don't really understand why so many fantasy writers choose to focus on worlds that just seem strangely denuded. But to them, I guess it doesn't seem strange. And I guess that's their privilege. It isn't mine.
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We always write way more than we put on a record. We always write a lot-lot.
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For centuries, we were taught that anger is bad. Our parents, teachers, priests, everyone taught us how to control and suppress our anger. But I ask: why can't we convert our anger for the larger good of society?
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All instincts that do not discharge themselves outwardly turn inward - this is what I call the internalization of man: thus it was that man first developed what was later called his 'soul.'
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I dislike Allegory - the conscious and intentional allegory - yet any attempt to explain the purport of myth or fairytale must use allegorical language.
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Whatever my intentions, whatever the truth of my claim, I had no business giving a lecture to a total stranger.
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The potential elite runner must realize that hard means hard, easy means easy and they must patiently seek out what combinations work for them. They have to learn to be persistent and patient with their training and racing.
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Apple, of all the global tech companies, was the one that understood why artists make things.
