Peter De Vries Quotes
Quotes to Explore
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I don't see pitches down the middle anymore - not even in batting practice.
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There is no sense in making a film that no-one will go and see, just to create a perfect, but useless, work of art.
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Ever since I can remember I was telling stories and had a huge interest in other people and what made them tick.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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Like some of my other movies, 'Conquest Of The Planet Of The Apes' is also a very political film, and many critics still consider it even the best of all the Apes movies, because it conveys a series of political viewpoints.
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I think I've always been somebody to break rules.
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There has to be so many other ways of approaching airline security than demeaning ourselves by giving up a lot of our dignities and our liberty to do this.
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A lot of people go in and have to create their own characters, and they do fine with it.
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I played a lot of squash for a lot of years.
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I'm fortunate to be famous for two rather imposing characters like Magneto and Gandalf.
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If we want to impact hundreds - or millions - of people, we have to do things differently. If we look at the problem as an infrastructural problem, we cannot make an impact because it requires a lot of effort. But when we convert this problem into a knowledge problem, suddenly the problem is manageable.
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I was getting a little bored with my hair. It's kind of a symbolic thing, just getting rid of the past, moving forward. It's amazing what a reaction you get when you cut your hair.
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'The Fight Club' DVD is great. I like anything that has really good extras because as an actor, it's really great to see the behind-the-scenes stuff and see how different actors approach their particular project.
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I worry that when educational counselors and teachers call in families with concerns about a child having a learning disability, we aren't always looking at the complete picture.
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I think sincerity was my sole aesthetic and realism my experimental technique.
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I started out with almost entirely black fans except for a little handful of people in the horror writers' community, and those people really liked horror, you know. They will go to any lengths and read whomever they can find because they like that feeling of being scared.
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In a word I was a pioneer, and therefore had to blaze my own trail.
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The growth of women's soccer and women's sports all around the world has been slow.
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Recovery is an ongoing project that is really discrete from everything else in my life. It allows me to be an agent, allows me to write, allows me to be married, allows me to be part of a family. The writing is not a support beam of recovery but a happy consequence of it.
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My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges.
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Retire at various times into the solitude of your own heart, even while outwardly engaged in discussions or transactions with others, and talk to God.
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I too complain ceaselessly in my heart and in my words too. My very life is a protest. Against government, for instance.
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The pain itself is a product or a reflection of how I am interpreting whatever it is that is causing me pain.
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Pain is the question mark turned like a fishhook in the human heart.
