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There's no doubt in the world that directing makes you a better actor. Me, anyway. There's no doubt in the world that it makes me a more collaborative actor.
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Directing is: you're overwhelmed the whole time. Your mind never stops. If you care about it. You wake up in the morning and you begin thinking about it and then you go to sleep at night and you're still thinking about it.
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Actors are conditioned to develop a system for expressing as much as they can in the shortest amount of time because you're going to get all cut up in a movie.
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I know it's good when I see a smaller film get recognized because it means more publicity for them. When you start producing and directing the movies become a little more like your children.
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I always consider Shakespeare like a huge room. I mean, you open the door, and you can go anywhere.
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I'm not a big one for lots of genitals flapping in the films.
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I'm not always angry. In fact, I think I usually go out of my way to try to find roles that don't seem to be like me.
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To me, it's just like, if you have talent, and you're lucky enough to find where you fit, and you work with the right people, it's not exalted at all.
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When you produce and direct, your movies are different to you. They're not just something you act in.
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You can't, no matter what anyone says, build a movie around someone.
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I love that I'm rarely recognized. I like it because I know I can look different from film to film.
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The nightmare of a film career, or at least the challenge of one, is that you're rarely going to get the opportunity to explore character because once people see you in one thing, you know, they want to see that again.
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I think people tend to live, whether they like it or not, influenced by what's next door to them.
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I only made two studio movies, that was a long time ago and obviously I removed myself. I think some of that is geographical. I live in New York and I want to work there, it's as simple as that.
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Most of us... are simply just trying to get through the day. And wait for those times in their life that are markers, that put things into relief. That's why we like movies and books so much.
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Details are the only thing that separates one movie from another.
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What we do at its very, very best, at its very, very most, will shift us slightly in our seat. If only for two hours, great. If for the rest of our lives, even better.
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I tend to turn down roles that are too much like me, what I think is most like me anyhow, because I'm me all the time and I'm sick of it.
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Part of the advantage, and part of the result of trying to be a producer and director, are the practical things, you find. It's so advantageous to go to a place that you already have a feel for, a literal and spiritual familiarity.
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I make little movies, you know, they need all the help that they can get.
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As you get older, I think everyone feels that, no matter what the job: to try a hand at running the business as opposed to simply being an employee.
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I learned, especially from my mother, to respect the profession and take it seriously, but not take yourself too seriously.
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In the film world, and I know this from just talking to other people, that I'm known as a kind of dramatic, serious, almost humorless actor, and the fact is I'm a funny guy, and I spend most of my life trying to find a lighter side of things and on stage was given plenty of opportunity to do that.