Laird Barron Quotes
Horror is my motor. It gets to me on an animal level and satisfies my impulse toward scenario building.
Quotes to Explore
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But we had a fantastic coach, Simon Clifford, who runs a British football youth game which teaches Brazilian techniques - which is what we wanted to incorporate into the film. And some of those things we eventually got in.
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What was past was past. I suppose that was the general attitude.
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E-Verify is a very commonsense reform that we can implement here in the state of Florida. I think I share a lot of Floridians' frustration that it didn't pass and a lot of the politics that were taking place behind the scenes.
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Indian classical music was born when time barely existed. It developed further within the structures of royal courts and a system of patronage where the ruler or the feudal master determined all.
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For the most part, it's a very male-dominated business. Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that, even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.
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Son, give 'em a good show, and always travel first class.
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The hardest thing to do and most miserable films are comedies.
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Some of my academic friends think I've fallen from a very special grace.
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But what I really like are old Hollywood movies. Very often I watch AMC.
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'Wicked' gave us a story that 'The Wizard of Oz' did not. Two sides to every story.
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If you think it's hard to meet new people, try picking up the wrong golf ball.
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I always pass on good advice. It is the only thing to do with it. It is never of any use to oneself.
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We recognised Urdu as the second official language and made it a medium of examination in all Bihar Public Service Commission tests.
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I would say I'm self-taught, but Corinne Day made me less conscious of myself. I was 15, and she'd make me take off my top, and I'd cry. After five years, you get used to it, and you're not self-conscious anymore.
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The density of space junk peaks around 620 miles up, in the middle of so-called low-Earth orbit. That's bad, because many weather, scientific, and reconnaissance satellites circle in various low-Earth orbits.
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I'm like, over love. Crush, smush. I can't. I'm giving up on love at this point. I'm hoping for a crush. Actually, no. I don't want a crush. I want someone to crush on me.
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'Upstairs Downstairs' somehow bestrode the different genres that had come before it to create a new drama entity. I suppose that's one of the reasons why it became so instantly popular.
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I don't feel a day older when it comes to my approach to music or what gets me off than when I was a teenager. I've always been into different kinds of stuff and when I play I like to play loud. I like my arm hairs to move and I like my body to vibrate 'cause I like the feel of it; I'm still a teenager at heart.
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As an author, you think you know where the good parts and the bad parts are. And then you read to a group of children, and you learn when you're boring them, and you hurry through those sections to get to the parts where they're interested again. You start to get a sense of your story's rhythm and flow.
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When you're teaching creative nonfiction, it helps to have written about your life in a very open way, because you can say, 'Look, how much are you willing to risk emotionally to write? How careful can you be with the other people you're writing about?'
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We are the only animal that tells stories.
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I came to join the Experience by going for an audition for Eric Burdon who was just forming the New Animals at that point, after the original Animals had broken up.
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I used to work for a newspaper that covered local resource issues, and my coworkers and friends were journalists. Their reporting work was always pretty grim.
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Horror is my motor. It gets to me on an animal level and satisfies my impulse toward scenario building.
