Joe Morton Quotes
If you can keep a character fresh and alive for, let's say, six months, working eight nights a week, then you can do anything. You have honed your technique and your skills to such a degree by that point that you are ready to take on all kinds of challenges.
Quotes to Explore
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The American Dream I believe in is one that provides anyone willing to work hard enough with the opportunity to succeed.
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There are times I think it might be nice to have deep-pocketed limited partners to provide me with some cushion. But I enjoy having no responsibilities except to myself, financially.
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I feel like I have so many middle-aged women who look up to me.
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I want a future where my children feel safe and appreciated and proud to be who they are. My heart is one with all the Arab Spring heroes, no matter how small they think their role is. I know they believe, like me, that we are working for a world whereby an Arab can live with the other in a respectful and dignified way.
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I can't say I'm having trouble with my husband or that I have a stubborn child.
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The most successful Subway customers, of course, are the ones who can't keep their hands off their sandwich. Join your artist in the sandwich assembling process. That sneeze guard is a suggestion. That sneeze guard is trying to intimidate you into staying on the customer's side of the partition.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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Fear and its accompanying emotional reactions have become part of the public mindset. Such reactions, while often legitimate, are also being exploited with increasing frequency for political ends.
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The lovers of romance can go elsewhere for satisfaction but where can the lovers of truth turn if not to history?
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Our country does not believe in the concept of your God and my God. We believe that all gods are one. We have different ways of accepting Him. All ways lead to Him.
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I turned into a monk when my mother went to learn Buddhism in Burma. While she learnt at the monastery, I used to roam around with a begging bowl and ask for food.
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The same way you can see me sit at a table in a movie and be six different people, the mother and the uncle and all these different things, when I'm in the studio, I can do that, too. I'm not trying to be a recording artist and have a certain type of music for the radio.
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When Liza Minelli was a child, she used to sit on my lap and call me Uncle Sammy.
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The fact that we're living in a country where 90 percent of the people want further gun laws - to maybe somehow put a dent in some of this insanity that's happening - and yet there's no further legislation taking place, it's very frustrating and upsetting.
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Everything in life has a price on it - there ain't a damn thing free in America, and football has got a price on it.
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I don't hit it as far as a lot of guys do, so I have to be in the right spot in the fairway to score, and that means driving it well. The two biggest keys for me are to make a good transition and to keep my hands ahead of the clubhead through impact. I want to feel as if my swing is two swings: one going back and another coming down.
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I'm under no illusion that there are things about me that I'd like to change. I just accept who I am, and I'm proud of it.
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My family were very poor. I am one of nine siblings: two girls and seven boys. Only my brother and I play in Europe, and then three more work in Europe, and another plays in Tunisia. This family is a footballing family, but our lives have not always been good.
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Film, you're kind of there with some people for two or three months or so unless it's a really huge picture, and then you go away, so you don't get quite as close to the people.
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I cry a lot, you know. Which is very difficult for a man to recognise, but I do. I cry in movies, you know, just watching movies.
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I have permission to live off campus.” She didn’t say from whom, because it was primarily herself.
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I love stage actors. The pool of world class actors that have done theater [is big], there's a higher opportunity of grabbing somebody from that pool.
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In our animation we must show only the actions and reactions of a character, but we must picture also with the action. . . the feeling of those characters.
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If you can keep a character fresh and alive for, let's say, six months, working eight nights a week, then you can do anything. You have honed your technique and your skills to such a degree by that point that you are ready to take on all kinds of challenges.
